{"id":1083,"date":"2011-12-12T02:00:00","date_gmt":"2011-12-12T00:00:00","guid":{"rendered":"http:\/\/92.45.35.169\/quotsarkilar-hatira-kokarquot\/"},"modified":"2024-07-03T16:01:10","modified_gmt":"2024-07-03T13:01:10","slug":"quotsarkilar-hatira-kokarquot","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/quotsarkilar-hatira-kokarquot\/","title":{"rendered":"“\u015eark\u0131lar hat\u0131ra kokar”"},"content":{"rendered":"
\"\"T\u00fcrk pop m\u00fczi\u011finin efsane ismi Erol Evgin, \u015fark\u0131 s\u00f6ylemeyi \u201ckanat tak\u0131p u\u00e7mak kadar keyifli\u201d diyerek tarif ediyor ve ekliyor: \u201cSesler ve kokular hi\u00e7 unutulmaz. \u015eark\u0131lar da \u00f6yle\u2026 G\u00fcl gibi, domates gibi kokar \u015fark\u0131lar…\u201d
\nTelevizyonun evlerle daha yeni bulu\u015ftu\u011fu, tek kanall\u0131 necefli ma\u015frapa y\u0131llar\u0131yd\u0131\u2026 \u00d6nce yabanc\u0131 \u015fark\u0131lara yaz\u0131lan T\u00fcrk\u00e7e s\u00f6zlerle tan\u0131\u015ft\u0131k pop m\u00fczikle,\u00a0 sonra kendi m\u00fczi\u011fimizin yolunu bulduk.\u00a0 \u0130\u015fte bu yolculukta hep en \u00f6nlerde olmu\u015f, kendi k\u00fclt\u00fcr\u00fcnden beslenen bir m\u00fczi\u011fi kitlelere benimsetmi\u015f bir m\u00fczik a\u015f\u0131\u011f\u0131 Erol Evgin.\u00a0 K\u00fc\u00e7\u00fck ya\u015flardan itibaren \u015fark\u0131 s\u00f6ylemek isteyen Evgin, ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze yapt\u0131\u011f\u0131 ba\u015far\u0131l\u0131 \u00e7al\u0131\u015fmalar\u0131yla tart\u0131\u015fmas\u0131z ki bug\u00fcn T\u00fcrk pop m\u00fczi\u011finin en \u00f6nemli isimlerinden biri\u2026
\nT\u00fcrkiye\u2019nin m\u00fczisyen kimli\u011fiyle tan\u0131d\u0131\u011f\u0131 Evgin, babas\u0131n\u0131n \u0131srarlar\u0131yla \u00fcniversitede mimarl\u0131k e\u011fitimi ald\u0131. M\u00fczi\u011fe ara verdi\u011fi y\u0131llarda 20 y\u0131l boyunca mimarl\u0131k yapan Evgin, mimarl\u0131k e\u011fitimiyle m\u00fczi\u011fin inceliklerini bir b\u00fct\u00fcn haline getirdi\u011fini belirtiyor. E\u015fiyle de okul s\u0131ralar\u0131nda tan\u0131\u015fan Evgin, son alb\u00fcm\u00fcnde o\u011flu Murat Evgin\u2019le birlikte \u00e7al\u0131\u015ft\u0131. Ge\u00e7en Nisan ay\u0131nda \u00e7\u0131kard\u0131\u011f\u0131 G\u00f6z Bebe\u011fim Sen \u00c7ok Ya\u015fa alb\u00fcm\u00fcnde Evgin\u2019 e yazd\u0131\u011f\u0131 iki s\u00f6zle Aysel G\u00fcrel de bir ba\u015fka diyardan e\u015flik etti. Uzun m\u00fczik ya\u015fam\u0131 boyunca izleri ku\u015faklar boyu dinlenecek bir\u00e7ok esere ses olan Evgin, birka\u00e7 ku\u015fa\u011f\u0131n hayat\u0131nda fon m\u00fczi\u011fi olman\u0131n keyfini b\u00fcy\u00fck bir heyecanla ya\u015f\u0131yor. Bir d\u00f6nemin b\u00fct\u00fcn k\u00fc\u00e7\u00fck k\u0131z \u00e7ocuklar\u0131n\u0131n evlenmek istedi\u011fi \u2018o\u2019 yak\u0131\u015f\u0131kl\u0131 olan ve m\u00fczik d\u00fcnyas\u0131n\u0131n nezaketiyle tan\u0131nan ismi Erol Evgin\u2019le keyifli bir sohbet ger\u00e7ekle\u015ftirdik.<\/div>\n
M\u00fczi\u011fe ba\u015flama yolculu\u011funuza nas\u0131l bir arzuyla yola \u00e7\u0131kt\u0131n\u0131z, neler ya\u015fad\u0131n\u0131z?<\/strong><\/div>\n
Ben kendimi bildim bileli \u015fark\u0131 s\u00f6ylerdim. \u00c7ok k\u00fc\u00e7\u00fck ya\u015flarda sandalyenin \u00fczerine \u00e7\u0131k\u0131p \u00e7ocuklu\u011fumun moda \u015fark\u0131lar\u0131n\u0131, tangolar\u0131n\u0131 s\u00f6ylerdim. Hep \u015fark\u0131 s\u00f6yleyece\u011fime inand\u0131m bu hayatta. Lisede orkestralar\u0131m\u0131z vard\u0131, amat\u00f6r topluluklarda. Tabi o \u0130stanbul Erkek Lisesi\u2019nde, yabanc\u0131 dilde e\u011fitimi veren bir okulda okudu\u011fumuz i\u00e7in Bat\u0131 m\u00fczi\u011fi etkiliyordu bizi. O \u015fark\u0131lar\u0131n ritmik dinamik halleri ho\u015fumuza gidiyordu. Daha sonra lise son s\u0131n\u0131fta \u015eerif Y\u00fczba\u015f\u0131o\u011flu orkestras\u0131nda solist oldum. Bu benim i\u00e7in b\u00fcy\u00fck bir onurdu. Ve sonras\u0131nda kendi orkestram oldu, arkada\u015flar\u0131mla \u2018Moda 5\u2019 ve \u2018Yarasalar\u2019 diye iki grup kurduk. T\u00fcm bunlar\u0131n ard\u0131ndan 1969 y\u0131l\u0131nda d\u00f6nemin \u00e7ok \u00f6nemli radyo sunucular\u0131ndan Aykut Sporel\u2019le ilk defa bir 45\u2019lik alb\u00fcm yapt\u0131k. O y\u0131llarda \u00e7ok mahcup bir \u00e7ocuk oldu\u011fumdan, bir \u015fairle ya da s\u00f6z yazar\u0131yla \u00e7al\u0131\u015ft\u0131\u011f\u0131mda, onlar\u0131n s\u00f6zlerini be\u011fenmezsem bunu nas\u0131l s\u00f6ylerim diye d\u00fc\u015f\u00fcn\u00fcyordum. O nedenle de kendim yaz\u0131yordum s\u00f6zlerimi. B\u00f6ylece 1969\u2019dan 1975 y\u0131l\u0131nda \u00c7i\u011fdem Talu ile \u00e7al\u0131\u015fmaya ba\u015flamam\u0131za kadar her y\u0131l 2 tane 45\u2019lik \u00e7\u0131kard\u0131m. Ben bu d\u00f6neme \u2018aray\u0131\u015f\u2019 d\u00f6nemi diyorum.<\/div>\n
M\u00dcZ\u0130KLE GE\u00c7EN 41 YIL<\/strong><\/div>\n
T\u00fcrkiye\u2019de pop\u00fcler m\u00fczik kavram\u0131n\u0131n yeni olu\u015ftu\u011fu d\u00f6nemlerde siz y\u0131llar i\u00e7inde unutulmayan, klasikle\u015fen bir\u00e7ok \u015fark\u0131 yapt\u0131n\u0131z. Bu d\u00f6nemi biraz anlat\u0131r m\u0131s\u0131n\u0131z?<\/strong><\/div>\n
TRT y\u0131llar\u0131yd\u0131 o zamanlar, necefli ma\u015frapa y\u0131llar\u0131yd\u0131\u2026 \u0130\u015fte bu d\u00f6nemde biz ne \u00f6\u011frendiysek TRT\u2019den \u00f6\u011frendik. Sonra dedi\u011fim gibi \u00c7i\u011fdem Talu ile \u00e7al\u0131\u015fmaya ba\u015flad\u0131k. Bir y\u0131l sonra aram\u0131za Melih Kibar kat\u0131ld\u0131. \u00c7i\u011fdem\u2019in 1983 y\u0131l\u0131nda aram\u0131zdan ayr\u0131lmas\u0131na kadar T\u00fcrk Pop M\u00fczi\u011fi\u2019ne Unutulmayan \u015fark\u0131lar diyece\u011fimiz bir d\u00f6nem ya\u015fatt\u0131k. \u0130lk kez bir ekip \u00e7al\u0131\u015fmas\u0131yd\u0131 o. \u00dc\u00e7\u00fcm\u00fcz\u00fcn de inanc\u0131 ayn\u0131yd\u0131. Bir \u00fclkenin pop\u00fcler m\u00fczi\u011fi o \u00fclkenin topraklar\u0131ndan hayat bulmal\u0131d\u0131r, o \u00fclkenin klasik musikisinden veya folklor\u00fcnden esinlenmelidir, diye d\u00fc\u015f\u00fcn\u00fcyorduk.\u00a0 D\u00fcnyan\u0131n \u00f6b\u00fcr ucuna bakarak m\u00fczik yap\u0131lmayaca\u011f\u0131n\u0131 biliyorduk. Bu ortak duru\u015fumuzla otuzun \u00fczerinde \u015fark\u0131 yapt\u0131k. \u015eimdi yeni nesiller taraf\u0131ndan dahi s\u00f6yleniyor. Bu benim i\u00e7in \u00e7ok b\u00fcy\u00fck keyif. \u00c7\u00fcnk\u00fc biz ba\u015flad\u0131\u011f\u0131m\u0131zda 1930\u2019lar\u0131n, 1940\u2019lar\u0131n Amerikan \u015fark\u0131lar\u0131n\u0131 hala dinliyorduk ve bizimkilerde y\u0131llar ge\u00e7tik\u00e7e s\u00f6ylensin istiyorduk. Geriye d\u00f6n\u00fcp bakt\u0131\u011f\u0131mda pop klasikleri oldu\u011funu g\u00f6r\u00fcyorum. 1969\u2019dan g\u00fcn\u00fcm\u00fcze 41 y\u0131l\u0131 geride b\u0131rakt\u0131m ve bu 41 y\u0131l i\u00e7inde T\u00fcrk pop m\u00fczi\u011finin emekledi\u011fi g\u00fcnlerden bug\u00fcne kadar hep i\u00e7inde olmak benim en b\u00fcy\u00fck kazanc\u0131m oldu.<\/div>\n
Peki o y\u0131llarda olmayan kendi \u00fclkesini k\u00f6klerinden beslenen m\u00fczik fikri nas\u0131l olu\u015ftu?\u00a0<\/strong>
\n\u00dclkelerin m\u00fcziklerinde \u00fc\u00e7 ana ba\u015fl\u0131k olur. Bu d\u00fcnyada da b\u00f6yledir. Birincisi klasik m\u00fcziktir, o merkezi otoritenin sesidir ve onun himayesindedir. \u0130kincisi folklor\u00fc olur, o da topra\u011f\u0131n sesidir. Bunlar\u0131n yan\u0131nda bir de kentin t\u00fcrk\u00fcs\u00fc dedi\u011fimiz, 20. y\u00fczy\u0131lda kentle\u015fme ve end\u00fcstrile\u015fmeyle birlikte h\u0131zla b\u00fcy\u00fcyen \u015fehrin m\u00fczi\u011fi olmal\u0131yd\u0131. \u00c7\u00fcnk\u00fc hepsinin davran\u0131\u015f bi\u00e7imi farkl\u0131d\u0131r, o nedenle m\u00fczi\u011fi de farkl\u0131d\u0131r. Kentin m\u00fczi\u011finin sesi y\u00fcksek, ritmi farkl\u0131d\u0131r. Ritmik dinamik, kolay alg\u0131lanabilir olmal\u0131d\u0131r. Ama burada kolay kelimesi sizi yan\u0131ltmas\u0131n, kolay\u0131 yapmak zordur!
\n1980\u2019li y\u0131llardan itibaren sizin m\u00fczikal d\u00f6neminiz ba\u015fl\u0131yor ve sonras\u0131nda ara verdi\u011finiz y\u0131llar. O g\u00fcnlerden bug\u00fcne neler yapt\u0131n\u0131z?\u00a0<\/strong>
\n\u0130kinci d\u00f6nemimden sonra m\u00fczikaller d\u00f6nemi ba\u015flad\u0131 benim i\u00e7in. 1980 y\u0131l\u0131nda Haldun Dormen\u2019in yaz\u0131p y\u00f6netti\u011fi ve Egemen Bostanc\u0131\u2019n\u0131n sahneye koydu\u011fu iki m\u00fczikalde ba\u015frol oynad\u0131m. Bu m\u00fczikallerde 600 kez sahne ald\u0131m. O d\u00f6nem bir milyondan fazla insan izledi bizi. \u00c7ok \u00f6nemli \u00e7al\u0131\u015fmalard\u0131. O \u015fark\u0131lar da bug\u00fcn hala s\u00f6yleniyor. M\u00fczikal anlamda klasik oldular. Ama daha sonra 20 y\u0131la yak\u0131n sahnelerden uzakla\u015farak 1986 y\u0131l\u0131nda mimarl\u0131k ofisimi a\u00e7t\u0131m.
\nTabi uzun soluklu televizyon programlar\u0131 yapt\u0131m bu d\u00f6nemde kendimi unutturmad\u0131m. S\u00fcper Aile, Erol Evgin \u015eov, Bir Sevda Masal\u0131 ve son olarak da Bir \u015eark\u0131s\u0131n Sen program\u0131n\u0131 yapt\u0131m. Bana iyi bir hobi oldu. Alb\u00fcmler yapt\u0131m, \u2018Sen Unutulacak Kad\u0131n m\u0131s\u0131n?\u2019 ve \u2018\u0130badetim\u2019 alb\u00fcmlerinin ard\u0131ndan iki koleksiyon alb\u00fcmle gen\u00e7lerle bulu\u015ftum. Bu arada haftada bir gece The Plaza otelinin Roof\u2019unda sahneye \u00e7\u0131kmaya yeniden ba\u015flad\u0131m. Bu y\u0131lda o\u011flum Murat Evgin\u2019in y\u00f6nlendirmesiyle yeni bir \u015feyler yapmaya karar verdik ve \u2018G\u00f6zbebe\u011fim Sen \u00e7ok ya\u015fa\u2019 alb\u00fcm\u00fcn\u00fc yapt\u0131k. \u0130\u00e7inde yedi tane Murat Evgin bestesinin, iki tane Aysel G\u00fcrel s\u00f6z\u00fcn\u00fcn bulundu\u011fu ve bunun yan\u0131 s\u0131ra \u00e7ok de\u011ferli s\u00f6z yazarlar\u0131yla birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z \u00e7ok g\u00fczel bir alb\u00fcm oldu. \u015eimdi bundan sonra az zaman\u0131m kald\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnerek s\u0131k kay\u0131t yapmak istiyorum. Gelecek y\u0131l yeni bir kay\u0131t daha yapaca\u011f\u0131m. Kendime hak etti\u011fimi d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm bir olgunluk d\u00f6nemi ya\u015fatmak istiyorum.<\/div>\n
BABAM \u0130\u00c7\u0130N M\u0130MARLIK OKUDUM<\/strong><\/div>\n
M\u00fczik hayat\u0131n\u0131z\u0131n yan\u0131 s\u0131ra mimarl\u0131k e\u011fitiminizden de bahsetmeliyiz. Bir yanda mimarl\u0131k e\u011fitimi bir yanda m\u00fczik, nas\u0131l bir kariyer plan\u0131 yapt\u0131n\u0131z kendinize?<\/strong><\/div>\n
Bizim zaman\u0131m\u0131zda kariyer plan\u0131 diye bir kavram yoktu. Duygular\u0131m\u0131zla hareket ediyorduk. Ben zaten her zaman duygularla y\u00f6nettim her \u015feyi. O nedenle kariyerimi de \u00f6yle y\u00f6nettim. Bir projeye dosya \u00fczerinden bakt\u0131\u011f\u0131n\u0131zda ba\u015far\u0131l\u0131 olmayacak proje yoktur. Hepsi m\u00fckemmel g\u00f6r\u00fcn\u00fcr ama siz o projenin hayata ge\u00e7ip ge\u00e7meyece\u011fini duygular\u0131n\u0131zla ve deneyiminizle hissedersiniz. \u0130\u015fte bu, i\u015f ve kariyer planlamas\u0131nda i\u015fte bu \u00e7ok \u00f6nemlidir.
\nMimarl\u0131k e\u011fitimime gelince, ben asl\u0131nda yaln\u0131zca \u015fark\u0131 s\u00f6ylemek istiyordum. Fakat babam otoriter bir babayd\u0131, 5 tane erkek \u00e7ocu\u011fun babas\u0131. Hepimizi yabanc\u0131 dil e\u011fitimi veren okullarda okuttu, hepimizi o zaman\u0131n g\u00f6zde mesleklerine sahip olmam\u0131z i\u00e7in yeti\u015ftirdi. Benim buna itiraz etme \u015fans\u0131m yoktu. Babam\u0131 ho\u015f tutmak i\u00e7in bir diploma alay\u0131m dedim.\u00a0 M\u00fczi\u011fe en yak\u0131n ama itibarl\u0131 bir mesle\u011fi aramaya ba\u015flad\u0131m. O da mimarl\u0131kt\u0131\u2026<\/div>\n
Mimarl\u0131k e\u011fitimi alman\u0131z m\u00fczik hayat\u0131nda size yard\u0131mc\u0131 oldu mu?<\/strong><\/div>\n
Mimarl\u0131k i\u00e7in susmu\u015f bir m\u00fcziktir derler. Ger\u00e7ekten de belgesellere bak\u0131n,\u00a0 S\u00fcleymaniye Camii anlat\u0131l\u0131rken fonunda Dede Efendi\u2019nin musikisi \u00e7alar veya Notre Dame\u2019\u0131n fonunda barok m\u00fczik vard\u0131r. M\u00fczikteki k\u0131vr\u0131ml\u0131 melodileri, notalar\u0131, ezgileri, herhangi bir mimari eserin k\u0131vr\u0131mlar\u0131nda g\u00f6r\u00fcrs\u00fcn\u00fcz. Mimar Sinan G\u00fczel Sanatlar Akademisi\u2019ne gittim. \u0130yi ki de \u00f6yle yapm\u0131\u015f\u0131m \u00e7\u00fcnk\u00fc orada esteti\u011fin kurallar\u0131n\u0131 \u00f6\u011frendim, sanat\u0131n kurallar\u0131n\u0131 \u00f6\u011frendim. \u00c7\u00fcnk\u00fc bizim m\u00fczi\u011fe ba\u015flad\u0131\u011f\u0131m\u0131z y\u0131llarda pop m\u00fczi\u011fin hi\u00e7bir kural\u0131 ekol\u00fc yoktu. Sanattan, sanat\u0131n kurallar\u0131ndan \u00e7ok paralel \u00e7izgiler \u00e7ekebildim m\u00fczi\u011fe. Ve orada \u00e7ok mutlu oldum. Mimarl\u0131k e\u011fitiminde ald\u0131\u011f\u0131n\u0131z sorgulay\u0131c\u0131, sebep-sonu\u00e7 ili\u015fkisine dayanan yakla\u015f\u0131mdan \u00e7ok faydaland\u0131m. \u00c7\u00fcnk\u00fc mimarl\u0131kta da her \u015feyin \u00f6l\u00e7\u00fcs\u00fc insand\u0131r ve her \u015fey insan i\u00e7indir. M\u00fczikte de ayn\u0131 \u015fey ge\u00e7erli. Benim m\u00fczikteki yolumu \u00e7ok ayd\u0131nlatt\u0131 o nedenle. Akademik kariyerim s\u0131ras\u0131nda \u015fark\u0131lar \u00e7ok \u0131srarla \u00e7a\u011f\u0131r\u0131nca b\u0131rakt\u0131m. Mimarl\u0131k e\u011fitimi ald\u0131\u011f\u0131m i\u00e7in de mutluyum. Elbette, m\u00fczik benim hayat\u0131m\u0131n en \u00f6nemlisi. Kanat tak\u0131p u\u00e7mak kadar keyifli bir \u015fey benim i\u00e7in.<\/div>\n
E\u015finizle de okul y\u0131llar\u0131ndan bu yana tan\u0131\u015f\u0131yorsunuz. O s\u0131rada akademik kariyeri b\u0131rakma karar\u0131 sizin i\u00e7in zor olmad\u0131 m\u0131? Bir tarafta emin bir hayat bir tarafta belki macera\u2026<\/strong>
\nMacera tabi, ailem \u00e7ok \u015fa\u015f\u0131rd\u0131 istifa edip okuldan ayr\u0131lmama. \u00c7ok inand\u0131\u011f\u0131m zaman kimseyi dinlemiyorum. Burnumun dikine gidiyorum her zaman. Yeter ki burnunuz e\u011fri olmas\u0131n…\u201cSAYGINLIK ZAMANLA KAZANILIYOR\u201d<\/strong>Uzun y\u0131llard\u0131r ayn\u0131 \u00e7izgiyi korumak ve nesiller taraf\u0131ndan sevilmek nas\u0131l bir duygu?<\/p>\n<\/div>\n
\u015eu anda elbette ki \u00e7ok g\u00fczel bir duygu. O zaman anlayam\u0131yorduk tabi. \u00c7\u00fcnk\u00fc ben sevdi\u011fim i\u00e7in \u015fark\u0131 s\u00f6yl\u00fcyordum. Bu kadar \u00f6nemli bir i\u015f oldu\u011funu anlayam\u0131yordum. Geriye d\u00f6n\u00fcp bakt\u0131\u011f\u0131mda T\u00fcrkiye\u2019nin yak\u0131n tarihinde son 40 y\u0131l i\u00e7inde benim sesim ve \u015fark\u0131lar\u0131m hep olmu\u015f. \u0130nsanlar\u0131n ya\u015famlar\u0131na sinmi\u015f olmak, hayatlar\u0131n\u0131n belli d\u00f6nemlerinde onlara sesimle fon m\u00fczi\u011fi olmak ve onlar\u0131 mutlu etmek beni \u00e7ok heyecanland\u0131r\u0131yor. Sesler ve kokular hi\u00e7 unutulmaz. \u015eark\u0131lar da \u00f6yle\u2026 G\u00fcl gibi, domates gibi kokar \u015fark\u0131lar. Zaman i\u00e7inde de bir sayg\u0131nl\u0131k kazan\u0131yorsunuz. Bunu da tabi kurban vererek sa\u011fl\u0131yorsunuz. Yani yapt\u0131klar\u0131n\u0131z kadar yapmad\u0131klar\u0131n\u0131zla bu sayg\u0131nl\u0131\u011f\u0131 kendiniz sa\u011fl\u0131yorsunuz. Bu bana yak\u0131\u015fmaz diyerek, beni seven insanlar beni b\u00f6yle g\u00f6rmek istemez diyerek kendinizi bir yere konumland\u0131r\u0131yorsunuz. O konumda olursunuz ya da olmazs\u0131n\u0131z ama bence zaman i\u00e7inde oluyorsunuz. Reddetti\u011finiz \u015feyler size maddiyat gibi pop\u00fclarite gibi bir tak\u0131m kay\u0131plar getiriyor. Ama sizi siz yapan da reddettikleriniz bir yerde.<\/div>\n
Sizce bug\u00fcn m\u00fczik d\u00fcnyas\u0131n\u0131n en b\u00fcy\u00fck s\u0131k\u0131nt\u0131s\u0131 nedir?<\/strong><\/div>\n
Elbette, alb\u00fcmlerin \u00e7ok az satmas\u0131. Alb\u00fcm sat\u0131\u015flar\u0131 onda bir oran\u0131nda d\u00fc\u015ft\u00fc. Bu da \u00fcreten insanlar\u0131n hevesini ve co\u015fkusunu k\u0131ran bir durum. En b\u00fcy\u00fck sorun bu. Korsanl\u0131k vard\u0131 ama internet ortam\u0131nda her \u015feyin indirilebiliyor olmas\u0131 o durumu ortadan kald\u0131rd\u0131. Teknoloji beraberinde yasal d\u00fczenlemeleri de getirmeli bir an \u00f6nce. Bir an \u00f6nce m\u00fczik sekt\u00f6r\u00fc, sinema sekt\u00f6r\u00fc koruma alt\u0131na al\u0131nmal\u0131. \u00c7\u00fcnk\u00fc bunlar bir \u00fclkenin \u00e7ok \u00f6nemli \u00e7ocuklar\u0131d\u0131r. Uygarl\u0131\u011f\u0131n g\u00f6stergeleridir.\u00a0 Bir \u00fclkenin k\u00f6klerini m\u00fczi\u011finden, \u015fiirden, sinemas\u0131ndan anlars\u0131n\u0131z.<\/div>\n\n
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T\u00fcrk pop m\u00fczi\u011finin efsane ismi Erol Evgin, \u015fark\u0131 s\u00f6ylemeyi \u201ckanat tak\u0131p u\u00e7mak kadar keyifli\u201d diyerek tarif ediyor ve ekliyor: \u201cSesler ve kokular hi\u00e7 unutulmaz. \u015eark\u0131lar da \u00f6yle\u2026 G\u00fcl gibi, domates gibi kokar \u015fark\u0131lar…\u201d Televizyonun evlerle daha yeni bulu\u015ftu\u011fu, tek kanall\u0131 necefli ma\u015frapa y\u0131llar\u0131yd\u0131\u2026 \u00d6nce yabanc\u0131 \u015fark\u0131lara yaz\u0131lan T\u00fcrk\u00e7e s\u00f6zlerle tan\u0131\u015ft\u0131k pop m\u00fczikle,\u00a0 sonra kendi m\u00fczi\u011fimizin […]<\/p>\n\n

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