{"id":1129,"date":"2013-02-04T02:00:00","date_gmt":"2013-02-04T00:00:00","guid":{"rendered":"http:\/\/92.45.35.169\/estetik-tutkusu-modayla-hayat-buluyor\/"},"modified":"2024-07-03T15:04:47","modified_gmt":"2024-07-03T12:04:47","slug":"estetik-tutkusu-modayla-hayat-buluyor","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/estetik-tutkusu-modayla-hayat-buluyor\/","title":{"rendered":"Estetik tutkusu modayla hayat buluyor"},"content":{"rendered":"

Kad\u0131nlar onu yak\u0131ndan tan\u0131yor, a\u011fz\u0131ndan \u00e7\u0131kan tavsiyeleri dikkatle dinliyor. Mesle\u011finin 25. y\u0131l\u0131nda Modac\u0131 Cengiz Abazo\u011flu, sanata ve estetik duygusuna olan ba\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor. Abazo\u011flu, \u00e7ocuklu\u011fundan bu yana i\u015fin \u00fcretim taraf\u0131na daha fazla ilgi duydu\u011funu s\u00f6yl\u00fcyor<\/strong>.<\/p>\n

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Kuma\u015flar, renkler, kal\u0131plar, \u00f6l\u00e7\u00fcler, tasar\u0131mlar yani k\u0131saca moda\u2026 T\u00fcrkiye\u2019nin \u00e7ok tan\u0131nan modac\u0131lar\u0131ndan biri olan Cengiz Abazo\u011flu, bu kavramlarla \u00e7ocuklu\u011fundan bu yana i\u00e7 i\u00e7e ve o ya\u015flardan itibaren de i\u015fin i\u00e7erisinde. Meslek hayat\u0131n\u0131n 25. y\u0131l\u0131n\u0131 ya\u015fayan Abazo\u011flu, art\u0131k neredeyse t\u00fcm T\u00fcrkiye taraf\u0131ndan tan\u0131n\u0131yor, her g\u00fcn televizyon ekranlar\u0131ndan evlere konuk oluyor, kad\u0131nlar i\u00e7in \u00e7ok \u00f6nemli k\u0131yafet tavsiyeleri veriyor. Modaya sanat olarak bak\u0131\u015f\u0131n\u0131n d\u0131\u015f\u0131nda i\u015f d\u00fcnyas\u0131 ve sekt\u00f6r\u00fcyle ilgili de \u00f6nemli tespitleri bulunan Abazo\u011flu, modan\u0131n bug\u00fcn geldi\u011fi yeri ticari bir olgu olarak tan\u0131ml\u0131yor. D\u00fcnden bug\u00fcne moda sekt\u00f6r\u00fcn\u00fcn en \u00f6nemli k\u0131r\u0131lma noktas\u0131n\u0131n Halkla \u0130li\u015fkiler\u2019le (PR) tan\u0131\u015fmak oldu\u011funu s\u00f6yleyen Abazo\u011flu, y\u0131llar i\u00e7inde modada her \u015feyin denendi\u011fini ve bug\u00fcn art\u0131k markan\u0131n de\u011ferinin \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor.<\/p>\n

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Yo\u011fun i\u015f temposunun aras\u0131nda t\u00fcm dinamikli\u011fiyle bize vakit ay\u0131ran Abazo\u011flu kendi moda hikayesinden yola \u00e7\u0131karak hem kendi kariyerini anlatt\u0131 hem de i\u015f d\u00fcnyas\u0131na bak\u0131\u015f\u0131n\u0131 payla\u015ft\u0131.<\/p>\n

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\u00d6ncelikle elbette modayla tan\u0131\u015fma hikayenizi merak ediyoruz. Nas\u0131l oldu kuma\u015flarla ve tasar\u0131mlarla tan\u0131\u015fman\u0131z?\u00a0<\/b><\/p>\n

Moda sekt\u00f6r\u00fcnde yol almamda ailemin etkisi b\u00fcy\u00fck oldu. Babam 1950 – 60\u2019l\u0131 y\u0131llarda Sultanhamam piyasas\u0131nda bilinen \u00f6nemli t\u00fcccarlardand\u0131. Ayr\u0131ca Bursa\u2019da kuma\u015f \u00fczerine \u00fcretim yapan fabrikalar\u0131m\u0131z vard\u0131. Bir y\u0131l \u00f6nceden planlanan kuma\u015f \u00fcretimi i\u00e7in o d\u00f6nemlerde annem babama Avrupa seyahatlerinde e\u015flik ederdi. Avrupa\u2019daki desinat\u00f6rlerle g\u00f6r\u00fc\u015f\u00fcyorlard\u0131. Bu tabi eve de yans\u0131yordu. Benim de \u00e7ok ilgimi \u00e7ekiyordu, okudu\u011fum kitab\u0131n, defterlerimin sat\u0131r ba\u015flar\u0131nda muhakkak ya desenler ya da o d\u00f6nemin \u00f6\u011fretmenlerimin tan\u0131m\u0131yla k\u0131z resimleri olurdu. Asl\u0131nda onlar birer eskizdi, tasar\u0131md\u0131.<\/p>\n

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Baban\u0131zla birlikte mi \u00e7al\u0131\u015fmaya ba\u015flad\u0131n\u0131z?\u00a0<\/b><\/p>\n

Biz ailecek yaz tatillerinde Heybeliada\u2019ya yazl\u0131\u011fa giderdik. Ben daha 13 – 14 ya\u015flar\u0131ndayken sabah 07.00 vapuruyla babamdan \u00f6nce i\u015fe inerdim, o kuma\u015flara kavu\u015fmak isterdim. Malzemelerini bizden alan konfeksiyoncular\u0131n neler \u00fcretti\u011fini merak eder, onlar\u0131n at\u00f6lyelerine giderdim. \u00dcretme taraf\u0131 hep daha \u00e7ok heyecanland\u0131rd\u0131 beni. O \u00fcr\u00fcnlerden neler yap\u0131ld\u0131\u011f\u0131n\u0131, nelerin ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6rmek isterdim. Ayr\u0131ca annem ve babam\u0131n geni\u015f bir sosyal hayatlar\u0131 vard\u0131. Annem o d\u00f6nemin b\u00fcy\u00fck moda evlerinden giysiler yapt\u0131r\u0131rd\u0131. \u0130leriki y\u0131llarda rakiplerim diyebilece\u011fim ustalar\u0131n at\u00f6lyesine \u00e7ocukluk ya\u015flarda annemin provalar\u0131 dolay\u0131s\u0131yla hep giderdim. Ailenin tek erkek \u00e7ocu\u011fu oldu\u011fum i\u00e7in \u015f\u0131marabilecek bir \u00e7ocuktum fakat hep disiplinli, \u00e7al\u0131\u015fmaya hedefli bir hayat\u0131m oldu.<\/p>\n

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Mesle\u011fe profesyonel olarak ilk ad\u0131m\u0131n\u0131z\u0131 ne zaman att\u0131n\u0131z?\u00a0<\/b><\/p>\n

\u0130lk param\u0131 babamla \u00e7al\u0131\u015farak haftal\u0131klar\u0131mla kazand\u0131m. Sonras\u0131nda babam\u0131n arkada\u015flar\u0131ndan ihracat yapan bir konfeksiyon firmas\u0131nda yard\u0131mc\u0131 tasar\u0131mc\u0131 olarak i\u015fe ba\u015flad\u0131m. Do\u011frusu hi\u00e7 kay\u0131rma oldu diyemem. Koli de ta\u015f\u0131d\u0131m, kuma\u015f da arad\u0131m. Ya\u015f\u0131m 22 civar\u0131ndayd\u0131. Bir g\u00fcn patronumun annesi, ger\u00e7ekten diki\u015ften anlayan bir han\u0131md\u0131, bana \u201cOrada stilist bir k\u0131z var, senin ondan \u00f6\u011frenece\u011fin \u00e7ok \u015fey var\u201d dedi. Hem motive ediyor, hem etmiyor, hem bir \u0130ngiliz edas\u0131yla laf s\u00f6yl\u00fcyordu. O bana \u00e7ok dokundu ve Almanya \u0130gedo Fuar\u0131\u2019na tasar\u0131mlar haz\u0131rlad\u0131\u011f\u0131m\u0131z d\u00f6nemde ben \u00e7ift tarafl\u0131, iki taraf\u0131n rengi farkl\u0131 sweatshirt\u2019ler tasarlad\u0131m. Oysa bana sadece 5 – 6 par\u00e7a haz\u0131rlatm\u0131\u015flar, \u00fcstelik fuara bile g\u00f6t\u00fcrmemi\u015flerdi. Fakat tasarlad\u0131\u011f\u0131m o swetshirt\u2019ler \u00e7ok ilgi g\u00f6rd\u00fc, firma 60 bin adet sipari\u015f ald\u0131. Sonra ben de o han\u0131ma d\u00f6n\u00fcp \u201cDersimi iyi \u00e7al\u0131\u015fm\u0131\u015f m\u0131y\u0131m\u201d dedim.<\/p>\n

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Kariyerinizin d\u00f6n\u00fcm noktas\u0131 bu mu oldu?\u00a0<\/b><\/p>\n

Tekstil sekt\u00f6r\u00fc \u00e7ok b\u00fcy\u00fck g\u00f6z\u00fckse de asl\u0131nda \u00e7ok k\u00fc\u00e7\u00fck ve herkes birbirini tan\u0131r. Sonra yine bu firmada i\u00e7 pazar i\u00e7in bir koleksiyon haz\u0131rlad\u0131m. 1988 y\u0131l\u0131nda d\u00f6rt modelle bu koleksiyonun tan\u0131t\u0131m\u0131n\u0131 yapt\u0131k ve o zaman o kadar \u00e7ok yap\u0131lan bir \u015fey de\u011fildi. M\u00fc\u015fterileri ayn\u0131 saatte oraya toplayarak, m\u00fcziklerle, ikramlarla birlikte sergiledik. Bu konuda tamamen i\u00e7g\u00fcd\u00fcsel olarak patronlar\u0131m\u0131 ikna ettim. Sonra da \u00e7ok b\u00fcy\u00fck bir rakama merkezi Br\u00fcksel\u2019de olan bir firmaya transfer oldum. O d\u00f6nem transfer \u00fccretim \u00e7ok konu\u015fuldu. \u0130lk ald\u0131\u011f\u0131m maa\u015fla kendime son model bir araba alm\u0131\u015ft\u0131m. Hatta \u00fccretimin hepsini muhasebeden almazd\u0131m, patronum bilinmesini istemezdi. \u0130ki \u00fc\u00e7 ayda bir gelir benim maa\u015f\u0131m\u0131n tamam\u0131n\u0131 \u00f6derdi. \u0130\u015fe 12\u2019de gelirdim, 4\u2019te \u00e7\u0131kard\u0131m, ertesi g\u00fcn hi\u00e7 gitmezdim, ama koleksiyon zaman\u0131nda haz\u0131rlan\u0131rd\u0131, \u00e7ok b\u00fcy\u00fck sipari\u015f al\u0131rd\u0131. Di\u011fer \u00e7al\u0131\u015fanlar bunu anlamazlard\u0131. Asl\u0131na bakarsan\u0131z hep iyi patronlar\u0131m oldu ve beni \u00e7ok \u00f6zg\u00fcr b\u0131rakt\u0131lar.<\/p>\n

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\u0130lk defile heyecan\u0131n\u0131z\u0131 hat\u0131rl\u0131yor musunuz?\u00a0<\/strong><\/p>\n


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1989 y\u0131l\u0131nda M\u0131s\u0131rl\u0131 ailesiyle ortakla\u015fa Rumeli Caddesi\u2019nde Hot Couture salonumu a\u00e7t\u0131m. Ortakl\u0131\u011f\u0131m\u0131z s\u0131ras\u0131nda o d\u00f6nemde Kamil \u015e\u00fckun\u2019\u00fcn organize etti\u011fi Vizon Show\u2019a ilk kez kat\u0131ld\u0131m, b\u00fct\u00e7em 8 tane elbiseye yetti. Benim ismimi orada anons ettiklerinde salondan kopan alk\u0131\u015f\u0131 da duyunca k\u0131z karde\u015fimle birlikte \u00e7ok a\u011flad\u0131k. O koleksiyon daha ilk bas\u0131n provas\u0131n\u0131n ertesi g\u00fcn\u00fc gazetelerin birinci sayfalar\u0131ndayd\u0131. T\u00fcrkiye\u2019de ekonomiye y\u00f6n veren isimlerin e\u015fleri, kuzenleri, halalar\u0131, teyzeleri hep m\u00fc\u015fterim oldu.<\/p>\n<\/div>\n

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\u00c7ok g\u00fc\u00e7l\u00fc meslekta\u015flar\u0131n\u0131z\u0131n aras\u0131nda kendi tarz\u0131n\u0131z\u0131 nas\u0131l olu\u015fturdunuz?<\/b><\/p>\n

1990\u2019lar\u0131n ba\u015f\u0131nda, Suat Aysan, \u00dcbeyde Bozyi\u011fit, Y\u0131ld\u0131r\u0131m Mayruk, Cemil \u0130pek\u00e7i, Sad\u0131k K\u0131z\u0131la\u011fa\u00e7, Vural G\u00f6k\u00e7ayl\u0131, Hakan Elyaban gibi isimler ger\u00e7ekten \u00e7ok g\u00fc\u00e7l\u00fc at\u00f6lyelerdi ve \u00e7ok g\u00fc\u00e7l\u00fc m\u00fc\u015fterileri vard\u0131. Ben o at\u00f6lyelerin aras\u0131nda \u00e7ok modern asimetrik kesimli, hi\u00e7 al\u0131\u015f\u0131k olmad\u0131klar\u0131 bir tarzla kendimi g\u00f6sterdim. O tarz \u00f6zellikle gen\u00e7 k\u0131zlar\u0131 m\u0131knat\u0131s gibi \u00e7ekti. Bu tarz\u0131 olu\u015ftururken birka\u00e7 yapt\u0131\u011f\u0131m seyahat bana ilham verdi. Ben daha o ya\u015flarda resim koleksiyonu yapan, ald\u0131\u011f\u0131 maa\u015f\u0131n d\u00f6rtte birini resme veren, seyahatlerinde her bo\u015f an\u0131nda, oradaki m\u00fczeleri gezen sanat tutkunu biriydim, h\u00e2l\u00e2 da \u00f6yleyim. Sanata ve estetik duygusuna bir ba\u011f\u0131m var. 90\u2019lar\u0131n ba\u015f\u0131nda bu formda giysiler yaparak dikkat \u00e7ektim ve hi\u00e7bir zaman klasik bir tasar\u0131mc\u0131 olmad\u0131m.<\/p>\n

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Moda d\u00fcnyas\u0131nda o g\u00fcnden bug\u00fcne neler de\u011fi\u015fti?\u00a0<\/b><\/p>\n

\u00c7ok \u015fey de\u011fi\u015fti, ama \u00f6ncelikle moda d\u00fcnyas\u0131 PR ile tan\u0131\u015ft\u0131, bunun \u00f6nemini ke\u015ffetti. Fakat k\u0131sa vadede PR bir markay\u0131 pop\u00fcler hale getirse de \u015f\u00f6yle de bir ger\u00e7ekle kar\u015f\u0131la\u015ft\u0131rd\u0131 ki alt\u0131 bo\u015f olan PR sonuca ula\u015fm\u0131yor. \u00d6te yandan moda d\u00fcnyas\u0131 teknolojinin etkisini g\u00f6rd\u00fc. Moday\u0131 1700\u2019l\u00fc y\u0131llardan ele al\u0131rsak, art\u0131k g\u00fcn\u00fcm\u00fcze yap\u0131lmam\u0131\u015f bir \u015fey kalmad\u0131. U yaka, V Yaka, bebe yaka, belden kesik, basenden kesik, belde kemer, basende kemer, geni\u015f pa\u00e7a dar pa\u00e7a, d\u00fc\u015f\u00fck bel y\u00fcksel bel\u2026 \u015eu anda olmayan en \u00f6nemli \u015fey; markan\u0131n o kad\u0131na ne hissettirdi\u011fi. Do\u011fru malzemeyle do\u011fru bulu\u015fmu\u015f kuplar kad\u0131n\u0131n v\u00fccudunu bir heykelt\u0131ra\u015f gibi sarabiliyorsa o kad\u0131n size g\u00f6n\u00fclden ba\u011flanabiliyor.<\/p>\n

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En klasik soruyla devam edecek olursak, moda ve tasar\u0131m kavram\u0131 sizin i\u00e7in ne ifade ediyor?<\/b><\/p>\n

Bu soruya bundan 10 y\u0131l \u00f6nce \u00e7ok farkl\u0131 bir cevap verebilirdim. \u015eimdi ki cevab\u0131m moda kesinlikle ticari bir olgudur. Elbette bir sanat dal\u0131d\u0131r ve pop\u00fcler bir sanat dal\u0131d\u0131r, 6 ayda bir de\u011fi\u015fir, yok olur gider. Arkas\u0131nda binlerce insana istihdam sa\u011flayan \u00e7ok b\u00fcy\u00fck bir sekt\u00f6rd\u00fcr ve onun i\u00e7in de s\u0131k s\u0131k de\u011fi\u015fir. Asl\u0131nda tuhaf da bir sanat dal\u0131d\u0131r. Alt\u0131 ay \u00f6nce yap\u0131lan sonra be\u011fenilmemeye ba\u015flan\u0131r. Ben \u015fansl\u0131 insanlardan\u0131m \u00e7\u00fcnk\u00fc defilelerimde ger\u00e7ekten ticari bir kayg\u0131 olmayan giysileri de yapmak gibi bir \u015fans\u0131m var. Onlar da zaten kost\u00fcm diye tan\u0131mlan\u0131yor. Fakat onun d\u0131\u015f\u0131nda kat\u0131ld\u0131\u011f\u0131m fuarlarda koleksiyonum be\u011fenilmeli, sipari\u015f almal\u0131, onlar zaman\u0131nda \u00fcretilmeli, ilk \u00fcr\u00fcn numunesi gibi ayn\u0131 kalitede \u00fcretilip zaman\u0131nda teslim edilmeli gibi \u00e7ok \u00f6nemli ayr\u0131nt\u0131lar\u0131 var. Asl\u0131nda b\u00fcy\u00fck bir orkestran\u0131n \u015fefidir tasar\u0131mc\u0131.<\/p>\n

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Sizin tasar\u0131m idol\u00fcn\u00fcz kim?<\/b><\/p>\n

Ben Christian Lacroix hayran\u0131 bir tasar\u0131mc\u0131yd\u0131m, \u00e7ok kost\u00fcm a\u011f\u0131rl\u0131kl\u0131 tasar\u0131mlar yap\u0131yordu ve ticarete d\u00f6nd\u00fcremedi. 2009 y\u0131l\u0131nda ben Paris\u2019te Couture haftas\u0131na ilk kat\u0131ld\u0131\u011f\u0131m y\u0131l o da son koleksiyonuyla moda d\u00fcnyas\u0131na veda etti. Tasar\u0131mc\u0131 iyi bir planlamac\u0131 olmal\u0131, yapt\u0131\u011f\u0131 koleksiyonda onu izleyen moda \u00e7evresini bir b\u00fcy\u00fc alt\u0131na almal\u0131, sizden elbise sat\u0131n alanlara o elbiseyi gardrobunda hayal ettirmeli, gelen bas\u0131n da yap\u0131lan g\u00f6steriyle etkilenmeli.<\/p>\n

Son olarak ofis hayat\u0131 i\u00e7in birka\u00e7 k\u00fc\u00e7\u00fck \u00f6neri rica etsek\u2026<\/p>\n

\u00d6zellikle h\u0131zl\u0131 modaya hizmet eden firmalar var ve bu firmalardan \u00e7ok mant\u0131kl\u0131 b\u00fct\u00e7elerle harika kombinler yap\u0131labilir. Genel bir \u00f6nerim \u015fu olabilir, al\u0131\u015fveri\u015finde zorlanan kad\u0131n i\u00e7in en b\u00fcy\u00fck kolayl\u0131k ma\u011fazadaki kombini yapmakt\u0131r. Kendi bir \u015fey katmaya u\u011fra\u015fmas\u0131n. Direk kombiniyle beraber \u00fcr\u00fcn\u00fc sat\u0131n al\u0131rsa, \u015f\u0131k olacakt\u0131r. Ve v\u00fccudundaki defolar\u0131 korkusuzca kendine itiraf edebilmeli.<\/p>\n

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\"\"<\/strong><\/div>\n
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En sevdi\u011finiz renk?<\/b><\/p>\n

Siyah<\/p>\n

Bu y\u0131l\u0131n rengi nedir?<\/b><\/p>\n

2013 k\u0131\u015f\u0131 i\u00e7in \u015farap yaz i\u00e7in turkuaz<\/p>\n

K\u0131yafette en \u00e7ok neden ho\u015flanmazs\u0131n\u0131z?<\/b><\/p>\n

\u00dc\u00e7 rengin \u00fczerindeki tonlarla kombinlenmi\u015f hi\u00e7bir \u015feyi sevmem ve zorlama bulurum. Kad\u0131n\u0131 da zorlar ona bakan\u0131 da zorlar.<\/p>\n

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Kad\u0131nlar onu yak\u0131ndan tan\u0131yor, a\u011fz\u0131ndan \u00e7\u0131kan tavsiyeleri dikkatle dinliyor. Mesle\u011finin 25. y\u0131l\u0131nda Modac\u0131 Cengiz Abazo\u011flu, sanata ve estetik duygusuna olan ba\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor. Abazo\u011flu, \u00e7ocuklu\u011fundan bu yana i\u015fin \u00fcretim taraf\u0131na daha fazla ilgi duydu\u011funu s\u00f6yl\u00fcyor.   Kuma\u015flar, renkler, kal\u0131plar, \u00f6l\u00e7\u00fcler, tasar\u0131mlar yani k\u0131saca moda\u2026 T\u00fcrkiye\u2019nin \u00e7ok tan\u0131nan modac\u0131lar\u0131ndan biri olan Cengiz Abazo\u011flu, bu kavramlarla \u00e7ocuklu\u011fundan bu […]<\/p>\n\n

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