{"id":1633,"date":"2007-11-09T02:00:00","date_gmt":"2007-11-09T00:00:00","guid":{"rendered":"http:\/\/92.45.35.169\/osmanli-sanati-uzmani-serdar-gulgun\/"},"modified":"2024-07-03T16:02:53","modified_gmt":"2024-07-03T13:02:53","slug":"osmanli-sanati-uzmani-serdar-gulgun","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/osmanli-sanati-uzmani-serdar-gulgun\/","title":{"rendered":"Osmanl\u0131 Sanat\u0131 Uzman\u0131 ‘Serdar G\u00fclg\u00fcn’"},"content":{"rendered":"

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\"\"Osmanl\u0131 sanat\u0131na olan ilgisini mesle\u011fe d\u00f6n\u00fc\u015ft\u00fcren Serdar G\u00fclg\u00fcn, d\u00fcnyan\u0131n \u00f6nde gelen Osmanl\u0131 sanat\u0131 uzmanlar\u0131ndan. Osmanl\u0131’y\u0131 tasar\u0131mlar\u0131yla ya\u015fatan G\u00fclg\u00fcn, Osmanl\u0131 de\u011ferlerinin g\u00fcn\u00fcm\u00fcze adapte edilmesi gerekti\u011fini s\u00f6yl\u00fcyor. Osmanl\u0131 Sanat\u0131 Uzman\u0131 Serdar G\u00fclg\u00fcn, \u015fimdiye kadar bir\u00e7ok ba\u015far\u0131ya imza atm\u0131\u015f bir isim. \u0130stanbul \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi’nden mezun olduktan sonra Osmanl\u0131’ya olan tutkusunun pe\u015finden giden Serdar G\u00fclg\u00fcn, Londra’da \u0130slam Sanat\u0131 okumu\u015f. \u015eimdiye kadar 8 sergi a\u00e7an, Osmanl\u0131 ya\u015fam\u0131 \u00fczerine belgesel haz\u0131rlayan ve Macar Porselen firmas\u0131 Herend i\u00e7in yapt\u0131\u011f\u0131 Osmanl\u0131 desenleriyle ad\u0131n\u0131 duyurmu\u015f olan G\u00fclg\u00fcn, halen Vakko’nun Osmanl\u0131 kuma\u015flar\u0131 tasar\u0131mc\u0131l\u0131\u011f\u0131, antikac\u0131l\u0131k, dan\u0131\u015fmanl\u0131k ve Osmanl\u0131 tarz\u0131 dekorasyon yap\u0131yor. Londra \u00dcniversitesinde de ders veren G\u00fclg\u00fcn’\u00fcn ya\u015fam\u0131nda A’dan Z’ye Osmanl\u0131 var. <\/p>\n

Osmanl\u0131 sanat\u0131na y\u00f6nelmeniz nas\u0131l oldu?<\/strong>Bunu asl\u0131nda bana hep soruyorlar ama cevap vermesi g\u00fc\u00e7 bir soru. Osmanl\u0131 sanat\u0131yla ilgilenmeye ba\u015flamam i\u00e7in belli bir olay olmad\u0131. \u00c7ocuklu\u011fumdan beri \u00e7ok merakl\u0131yd\u0131m. M\u00fczeleri gezerdim, bu t\u00fcr konular\u0131 ara\u015ft\u0131r\u0131rd\u0131m. Fakat \u00e7ocukluk y\u0131llar\u0131mda bunun bir meslek olabilce\u011fini d\u00fc\u015f\u00fcnmemi\u015ftim. Bug\u00fcnler i\u00e7in bile enteresan bir i\u015f. Ben her zaman ba\u015fka bir i\u015f yapaca\u011f\u0131m\u0131 bunun benim hobim olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\n

Asl\u0131nda i\u015fletme mezunusunuz…<\/strong>
\u0130\u015fletme okuduktan sonra Londra’ya gittim. Londra \u00dcniversitesi Do\u011fu ve Afrika Sanatlar\u0131 B\u00f6l\u00fcm\u00fc’nde \u0130slam sanat\u0131 master program\u0131na gittim. Orada \u00e7ok ba\u015far\u0131l\u0131 oldu\u011fumu d\u00fc\u015f\u00fcn\u00fcyorum, \u00e7\u00fcnk\u00fc \u00e7ok sevdi\u011fim bir konuyla i\u00e7 i\u00e7eydim. Hocalar\u0131m orda kalmam\u0131 istediler fakat ben \u0130stanbul’a d\u00f6nd\u00fcm. \u0130stanbul’a d\u00f6n\u00fcnce bu i\u015fle ilgili faaliyetlere ba\u015flad\u0131m. \u0130lk d\u00f6nd\u00fc\u011f\u00fcmde K\u00fclt\u00fcr ve Sanat Varl\u0131klar\u0131n\u0131 Koruma ve Tan\u0131tma (K\u00dcSAV) Vakf\u0131 ile birlikte Osmanl\u0131 Sanat\u0131 sergileri d\u00fczenlemeye ba\u015flad\u0131m.<\/p>\n

\u015eimdiye kadar ka\u00e7 serginiz oldu?<\/strong>
8 tane sergim oldu. Bu sergiler Topkap\u0131 Saray\u0131 Alay K\u00f6\u015fk\u00fc binas\u0131nda oldu. Bu sergilerin hepsinin bir konusu vard\u0131: Osmanl\u0131’da hat, Osmanl\u0131’da karalamalar, nak\u0131\u015flar. Osmanl\u0131 sanat\u0131n\u0131n de\u011fi\u015fik alanlar\u0131n\u0131n \u00fczerine e\u011filen sergilerdi. 1992-1994 y\u0131llar\u0131 i\u00e7in \u00e7ok ba\u015far\u0131l\u0131 sergiler oldu. O d\u00f6nem i\u00e7in \u00e7ok enteresan sergilerdi. \u00c7ok be\u011fenildi ve benim kariyerimin olu\u015fmas\u0131nda \u00e7ok b\u00fcy\u00fck bir yeri oldu. Hem isim olarak bilinmem hem de T\u00fcrkiye’deki koleksiyonerlerle tan\u0131\u015fmam i\u00e7in arac\u0131 oldu. Daha sonra da her zaman i\u00e7inde Osmanl\u0131 sanat\u0131n\u0131n oldu i\u015flere dald\u0131m.<\/p>\n

 <\/p>\n

\"\"
SERDAR G\u00dcLG\u00dcN\u00dcN HER K\u00d6\u015eES\u0130NDE OSMALI \u0130ZLER\u0130 TA\u015eIYAN EV\u0130, GE\u00c7T\u0130\u011e\u0130M\u0130Z YIL D\u00dcNYACA \u00dcNL\u00dc WORLD OF INTERIORS DERG\u0130S\u0130’NDE TANITILDI. DERG\u0130 \u0130LK KEZ T\u00dcRK\u0130YE’DEN B\u0130R EV \u0130\u00c7\u0130N 10 SAYFA AYIRDI. <\/em><\/p>\n

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Vakko ile \u00e7al\u0131\u015fmaya nas\u0131l ba\u015flad\u0131n\u0131z?<\/strong>
Vitali Hakko’nun bana bir teklifi oldu. Kendisiyle K\u00dcSAV Vakf\u0131’n\u0131n d\u00fczenledi\u011fi bir dekorasyon fuar\u0131nda tan\u0131\u015ft\u0131k. Osmanl\u0131 hat sanat\u0131 ve kuma\u015flar\u0131 benim asl\u0131 uzmanl\u0131k alan\u0131m oldu\u011fu i\u00e7in bana “Siz eski kuma\u015flar\u0131 biliyorsunuz, yeniyi de yapars\u0131n\u0131z” dedi. O g\u00fcne kadar hi\u00e7 d\u00fc\u015f\u00fcnmemi\u015ftim yap\u0131p yapamayacap\u0131m\u0131 ama onun te\u015fvikiyle ba\u015flad\u0131m ve hala devam etti\u011fim 10 senedir s\u00fcren \u00e7ok ba\u015far\u0131l\u0131 bir i\u015f halini ald\u0131.<\/p>\n

Londra \u00dcniversitesi’nde ders veriyorsunuz. T\u00fcrkiye’de de ders vermeyi d\u00fc\u015f\u00fcn\u00fcr m\u00fcs\u00fcn\u00fcz?<\/strong>
Londra’daki hocalar\u0131m orada yar\u0131 zamanl\u0131 olarak ders vermemi istediler. T\u00fcrkiye’den \u00f6yle bir teklif gelmedi. E\u011fer \u00f6yle bir teklif gelirse d\u00fc\u015f\u00fcnebilir. Do\u011fru insanlarla do\u011fru yerde olduktan sonra neden olmas\u0131n.<\/p>\n

Bir de Osmanl\u0131 \u00fczerine belgesel haz\u0131rlam\u0131\u015fs\u0131n\u0131z…<\/strong>
1999-2000 y\u0131l\u0131nda NTV i\u00e7in bir belgesel yapt\u0131m. O da \u00e7ok severek yapt\u0131\u011f\u0131m bir i\u015fti. Osmanl\u0131’da ya\u015fam \u00fczerine bir belgeseldi. Her hafta Osmanl\u0131’da yemek, Osmanl\u0131’da giyim gibi ba\u015fka bir konuyu i\u015fliyorduk. Ben hem yaz\u0131p hem sunuyordum. Programda konunun uzmanlar\u0131yla r\u00f6portajlar yap\u0131yordum ve arada kendim de anektotlar anlat\u0131yordum.<\/p>\n

Di\u011fer \u00e7al\u0131\u015fmalar\u0131n\u0131zdan bahseder misiniz?<\/strong>Macar porselen firmas\u0131 Herend’den bana bir teklif geldi. Porselenlere Osmanl\u0131 desenleri olu\u015fturmamla ilgili bu proje ba\u015flam\u0131\u015f oldu. Onlar i\u00e7in de iki grup desen haz\u0131rlad\u0131m, Osmanl\u0131 laleleri ve Osmanl\u0131 karanfilleri. D\u00fcnyan\u0131n her yerinde benim ad\u0131ma sat\u0131l\u0131yor bu nedenle \u00e7ok mutluyum ve \u00e7ok gururluyum. Son y\u0131llarda yapt\u0131\u011f\u0131m en \u00f6nemli \u015feylerden biri de dekorasyon i\u015fleri. Dekorasyonu Osmanl\u0131 tarz\u0131 yap\u0131yorum ve genelde tarihi binalar\u0131n, tarihi yal\u0131lar\u0131n, k\u00f6\u015fklerin i\u00e7ini dekore ediyorum. Ayr\u0131ca modern binalar\u0131n i\u00e7ini de Osmanl\u0131 tarz\u0131 dekore ediyorum. Ge\u00e7en y\u0131l Antalya’da 500 odal\u0131k bir otelin dekorasyonunu yapt\u0131m. \u015eu anda da bir yal\u0131 ve bir k\u00f6\u015fk\u00fcn dekorasyonunu devam ettiriyorum. Vakit bulamad\u0131\u011f\u0131m i\u00e7in sergi yapam\u0131yorum. Louis Vuitton’un Avrupa \u015eehirleri Rehberi’nin \u0130stanbul k\u0131sm\u0131n\u0131 4 y\u0131l boyunca yazd\u0131m, o benim i\u00e7in bir hobiydi. Ayr\u0131ca ilk g\u00fcnlerden bu g\u00fcne kadar devam eden antikac\u0131l\u0131k ve koleksiyonerlere dan\u0131\u015fmanl\u0131k faaliyetlerim hep devam ediyor.<\/p>\n

Osmanl\u0131’y\u0131 g\u00fcn\u00fcm\u00fcze uyarlayarak ya\u015fatmak gerekti\u011fini s\u00f6yl\u00fcyorsunuz… <\/strong>Evet benim inand\u0131\u011f\u0131m \u015fey bu. Ben tabii ki Osmanl\u0131’y\u0131 birebir uygulayal\u0131m demiyorum. Ama uluslarars\u0131 arenada bir fark\u0131m\u0131z\u0131n olmas\u0131 gerekiyor. Her\u015feyin kendi memleketinizden \u00e7\u0131kt\u0131\u011f\u0131 zaman faydas\u0131 var. Mesela bir Frans\u0131z’a Frans\u0131z yeme\u011fi satamazs\u0131n\u0131z, Frans\u0131z dekorasyonu satamazs\u0131n\u0131z. Ama bir Frans\u0131za \u00e7ok iyi bir Osmanl\u0131 desenli kuma\u015f satabilirsiniz. Art\u0131k globalle\u015fme sebebiyle b\u00fct\u00fcn yemekler, b\u00fct\u00fcn insanlar, giyimler birbirine benzemeye ba\u015flad\u0131. Dolay\u0131s\u0131yla art\u0131k yerel k\u00fclt\u00fcrler y\u00fckselen de\u011fer olmak zorunda ve \u00f6yle de olacak. Osmanl\u0131 de\u011ferlerini bug\u00fcne adapte ederek g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yabilirsek Osmanl\u0131’n\u0131n ya\u015fama \u015fans\u0131 var. Osmanl\u0131 tatlar\u0131n\u0131, dekorlar\u0131n\u0131, adetlerini bug\u00fcne ta\u015f\u0131man\u0131n m\u00fcmk\u00fcn oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum ve buna kafa yormak gerekti\u011fine inan\u0131yorum. Osmanl\u0131 k\u00fclt\u00fcr\u00fc m\u00fczede kalmamal\u0131.<\/p>\n

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\"\"
“MACAR PORSELEN F\u0130RMASI HEREND \u0130\u00c7\u0130N HAZIRLADI\u011eIM OSMANLI DESENL\u0130 PORSELENLER D\u00dcNYANIN HER YER\u0130NDE BEN\u0130M ADIMA SATILIYOR. BUNDAN DOLAYI \u00c7OK MUTLUYUM VE GURURLUYUM.” <\/em><\/p>\n

 <\/p>\n

Son zamanlarda Osmanl\u0131 sanat\u0131na y\u00f6nelme var. Bunu yurtd\u0131\u015f\u0131nda ba\u015flayan Osmanl\u0131 ilgisinin bize yans\u0131mas\u0131 olarak g\u00f6rebilir miyiz?<\/strong>
Evet bizde b\u00f6yle bir durum oluyor. Bat\u0131’n\u0131n onaylad\u0131\u011f\u0131 \u015fey bizde k\u0131ymetli oluyor. Bat\u0131’daki bir marka i\u00e7in bir\u015fey yapt\u0131\u011f\u0131n\u0131zda burdaki markalar sizi daha \u00e7ok be\u011feniyor. B\u00f6yle bir rahats\u0131zl\u0131k var. Bu da kendimize g\u00fcvensizlikten kaynaklan\u0131yor. Bat\u0131’da olduysa bu i\u015fte bir hikmet vard\u0131r diye d\u00fc\u015f\u00fcn\u00fcyoruz. Bir de d\u00fcnyada minimalist yakla\u015f\u0131mdan maksimalist yakla\u015f\u0131ma do\u011fru bir trend oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. M\u00fczikte, yemekte bir do\u011fu modas\u0131 hakim. Bat\u0131daki her\u015fey art\u0131k fazlas\u0131yla ke\u015ffedilmi\u015f, g\u00f6r\u00fclm\u00fc\u015f ve art\u0131k s\u0131k\u0131c\u0131 bir hal alm\u0131\u015f vaziyette. Dolay\u0131s\u0131yla d\u00fcnyan\u0131n neresinde bir enteresanl\u0131k varsa o tarafa do\u011fru bir ilgi ba\u015flad\u0131. T\u00fcrkiye ve Osmanl\u0131 da bunun i\u00e7in \u00e7ok iyi bir kaynak. Her bak\u0131mdan tam karar\u0131nda egzotiklikte bir kaynak. \u00c7ok egzotik olan bir\u015fey Bat\u0131’ya anlamas\u0131 g\u00fc\u00e7 geliyor. T\u00fcrkiye ve Osmanl\u0131 anla\u015f\u0131labilecek kadar bat\u0131l\u0131 ama \u00f6zellik sahibi olacak kadar farkl\u0131.<\/p>\n

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Osmanl\u0131 sanat\u0131na olan ilgisini mesle\u011fe d\u00f6n\u00fc\u015ft\u00fcren Serdar G\u00fclg\u00fcn, d\u00fcnyan\u0131n \u00f6nde gelen Osmanl\u0131 sanat\u0131 uzmanlar\u0131ndan. Osmanl\u0131’y\u0131 tasar\u0131mlar\u0131yla ya\u015fatan G\u00fclg\u00fcn, Osmanl\u0131 de\u011ferlerinin g\u00fcn\u00fcm\u00fcze adapte edilmesi gerekti\u011fini s\u00f6yl\u00fcyor. Osmanl\u0131 Sanat\u0131 Uzman\u0131 Serdar G\u00fclg\u00fcn, \u015fimdiye kadar bir\u00e7ok ba\u015far\u0131ya imza atm\u0131\u015f bir isim. \u0130stanbul \u00dcniversitesi \u0130\u015fletme Fak\u00fcltesi’nden mezun olduktan sonra Osmanl\u0131’ya olan tutkusunun pe\u015finden giden Serdar G\u00fclg\u00fcn, Londra’da \u0130slam Sanat\u0131 […]<\/p>\n\n

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