{"id":1648,"date":"2007-12-05T02:00:00","date_gmt":"2007-12-05T00:00:00","guid":{"rendered":"http:\/\/92.45.35.169\/sanatci-nilufer\/"},"modified":"2024-07-03T15:05:04","modified_gmt":"2024-07-03T12:05:04","slug":"sanatci-nilufer","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/sanatci-nilufer\/","title":{"rendered":"Sanat\u00e7\u0131 ‘Nil\u00fcfer’"},"content":{"rendered":"

<\/p>\n

\"\"Nil\u00fcfer, 35. sanat y\u0131l\u0131nda yine zirvede. Bir d\u00f6nem Unicef’in iyi niyet el\u00e7ili\u011fini de yapan \u00fcnl\u00fc sanat\u00e7\u0131 ba\u015far\u0131s\u0131n\u0131, i\u015finde hep daha iyisini aramas\u0131na ve sab\u0131rla bekleyebilmesine ba\u011fl\u0131yor.<\/p>\n

Nil\u00fcfer’in o muhte\u015fem sesini, b\u00fcy\u00fck ustal\u0131kla s\u00f6yledi\u011fi \u015fark\u0131lar\u0131n\u0131 sevmeyen san\u0131r\u0131z ki yoktur. “D\u00fcnya D\u00f6n\u00fcyor”dan “Mavilim”e, tam 35 y\u0131ld\u0131r Nil\u00fcfer, ya\u015fam\u0131m\u0131z\u0131n i\u00e7inde. Her d\u00f6nemi imaj\u0131na ve \u015fark\u0131lar\u0131na ba\u015far\u0131yla yans\u0131tan \u00fcnl\u00fc sanat\u00e7\u0131, \u00e7ocuklu\u011funu, kariyer \u00f6yk\u00fcs\u00fcn\u00fc, Uncef’le yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar\u0131, k\u0131z\u0131yla olan ili\u015fkisini ve gelecek i\u00e7in planlar\u0131n\u0131 anlatt\u0131.<\/p>\n

“\u00c7ocuklu\u011fum m\u00fczikle i\u00e7 i\u00e7eydi”<\/strong>
\u00c7ocuklu\u011fum ger\u00e7ekten \u00e7ok g\u00fczel ge\u00e7ti. 8 ya\u015f\u0131na kadar \u0130stanbul’un Cihangir semtinde oturduk. Babam\u0131n kaybettikten sonra bu g\u00fczel ve \u00e7ok sevdi\u011fim semti terk ettik. Annemin \u00e7ok g\u00fczel bir sesi vard\u0131. Babam da biraz piyano \u00e7alard\u0131. Evde her zaman m\u00fczik sesleri olurdu. Benim bu i\u015fe yatk\u0131nl\u0131\u011f\u0131m\u0131 art\u0131ran nedenlerden biri de budur asl\u0131nda. O g\u00fcn bug\u00fcnd\u00fcr \u015fark\u0131 s\u00f6yl\u00fcyorum. Babam yurtd\u0131\u015f\u0131ndan mikrofonlu bir teyp getirmi\u015fti.<\/p>\n

Ben de o mikrofona \u015fark\u0131lar s\u00f6yleyerek sesimi teybe kaydederdim. Hi\u00e7 unutmam, repertuar\u0131m\u0131n ilk \u015fark\u0131s\u0131, “G\u00fcl a\u011fac\u0131 de\u011filem\/ her gelene e\u011filem” adl\u0131 \u015fark\u0131 idi. Maalesef o bantlardan bir tane bile yok elimde. Hepsinin \u00fczerine radyodan \u015fark\u0131lar kaydedilmi\u015f.<\/p>\n

“Babam\u0131 kaybetmek beni \u00e7ok etkiledi”<\/strong>
Tek \u00e7ocuktum ben. Babam ben 11 ya\u015f\u0131ndayken vefat etti. \u0130lkokulu bitirdi\u011fim y\u0131l aram\u0131zdan ayr\u0131ld\u0131 ne yaz\u0131k ki. Dolay\u0131s\u0131yla anne-k\u0131z ba\u015f ba\u015fa kald\u0131k. Hayat\u0131m\u0131n d\u00f6n\u00fcm noktas\u0131, \u00e7ocuklu\u011fumun en b\u00fcy\u00fck ac\u0131s\u0131d\u0131r. Bu sonsuz ayr\u0131l\u0131k beni \u00e7ok etkiledi. Ancak herkesin yan\u0131nda a\u011flayam\u0131yordum. G\u00f6zya\u015flar\u0131m\u0131 yaln\u0131z kald\u0131\u011f\u0131mda, babam\u0131n resmine bakarak ak\u0131t\u0131yordum. Ac\u0131m yaln\u0131zca bana ait olmal\u0131 diye d\u00fc\u015f\u00fcn\u00fcyordum. Annemi bile ac\u0131ma ortak etmedim. Duygular\u0131n\u0131 kendine saklayan, gizli kapakl\u0131 bir \u00e7ocuktum k\u0131sacas\u0131. Bug\u00fcn de \u00f6yleyim. Babam i\u015f adam\u0131yd\u0131. Sinema makineleri getirirdi yurt d\u0131\u015f\u0131ndan. Aram\u0131z iyiydi ama hep bir mesafe vard\u0131. Bana \u00e7ok d\u00fc\u015fk\u00fcnd\u00fc babam, \u00e7ok severdi beni. Ben de bunu bilirdim ama dedi\u011fim gibi, aram\u0131zda hep bir mesafe vard\u0131.<\/p>\n

“Beni ilk ke\u015ffeden okul arkada\u015f\u0131m oldu”<\/strong>
Ortaokula giderken sesim yava\u015f yava\u015f yerine oturmaya ba\u015flad\u0131. Sesimin g\u00fczelli\u011fini art\u0131k herkes fark etmeye ba\u015flad\u0131. \u015eark\u0131 s\u00f6ylemekse benim i\u00e7in vazge\u00e7ilmez bir al\u0131\u015fkanl\u0131k haline gelmi\u015fti. B\u00fct\u00fcn g\u00fcn radyo dinliyordum. Ne kadar \u015fark\u0131 varsa, hepsini \u00f6\u011frenip, yak\u0131nlar\u0131ma konser veriyordum. Okul tuvaletinde \u015fark\u0131 s\u00f6ylerken sesimi duyan bir arkada\u015f\u0131m sayesinde, sesimin g\u00fczelli\u011fi okulda da duyuldu. Beni ilk ke\u015ffeden okul arkada\u015f\u0131md\u0131 yani! Art\u0131k sadece aileme ve yak\u0131nlar\u0131ma de\u011fil, yabanc\u0131lar\u0131n \u00f6n\u00fcnde de \u015fark\u0131 s\u00f6yl\u00fcyordum. O g\u00fcnden sonra her \u00f6\u011fle teneff\u00fcs\u00fc benim i\u00e7in bir konser saatine d\u00f6n\u00fc\u015ft\u00fc. Sadece teneff\u00fcslerin de\u011fil, bo\u015f ge\u00e7en derslerin de de\u011fi\u015fmez solistiydim.<\/p>\n

“Anneme sormadan yar\u0131\u015fmaya kat\u0131ld\u0131m”<\/strong>
Y\u0131l 1970. Ortaokul ikinci s\u0131n\u0131ftayd\u0131m. Hafta Sonu Gazetesi’nde Alt\u0131n Plak Ses Yar\u0131\u015fmas\u0131’n\u0131n ilan\u0131n\u0131 g\u00f6rd\u00fcm. Hemen o anda yar\u0131\u015fmaya kat\u0131lmak istiyordum. Hen\u00fcz 15 ya\u015f\u0131ndayd\u0131m ve bu durumda annemin izni gerekli. Ona sormadan formu doldurup g\u00f6nderdim. \u0130zin vermeyece\u011fini biliyordum \u00e7\u00fcnk\u00fc. Formu postalad\u0131ktan sonra s\u00f6yledim olanlar\u0131. Tahmin etti\u011fim gibi kar\u015f\u0131 \u00e7\u0131kt\u0131, ya\u015f\u0131m\u0131n k\u00fc\u00e7\u00fckl\u00fc\u011f\u00fc nedeniyle itiraz etti. Ama ne kadar kararl\u0131 ve istekli oldu\u011fumu g\u00f6r\u00fcnce yumu\u015famak zorunda kald\u0131 ve benimle birlikte yar\u0131\u015fmaya geldi. <\/p>\n

“Yar\u0131\u015fmada en b\u00fcy\u00fck isimlerin \u00f6n\u00fcnde sahneye \u00e7\u0131kt\u0131m”<\/strong> D\u00f6nemin en \u00fcnl\u00fc orkestra \u015fefi Durul Gence ve arkada\u015flar\u0131n\u0131n e\u015fli\u011finde \u015fark\u0131 s\u00f6yleyecektik. R\u00fcya gibi bir \u015feydi bu. Ne kadar heyecanl\u0131 oldu\u011fumu anlatamam. J\u00fcride de \u00fcnl\u00fc isimler vard\u0131; hayran\u0131 oldu\u011fum sanat\u00e7\u0131lardan Ajda Pekkan ve Alpay, Ergin Tezelli, gazeteci ve m\u00fczik ele\u015ftirmeni Do\u011fan \u015eener, prod\u00fckt\u00f6r Nino Varon, \u015fark\u0131c\u0131 ve s\u00f6z yazar\u0131 \u015eehrazat. Seyirciler aras\u0131ndaysa Zeki M\u00fcren, T\u00fcrkan \u015eoray gibi \u00e7ok \u00f6nemli isimler vard\u0131 \u00fcstelik. Yar\u0131\u015fmada iki par\u00e7a s\u00f6yledim; biri \u0130talyanca, “Larca Di noe”. Di\u011feri de Ajda Pekkan’\u0131n s\u00f6yledi\u011fi “Sensiz Y\u0131llarda”. Sonu\u00e7ta y\u00fczlerce ki\u015fi i\u00e7inden \u00f6n elemeyi kazanan on k\u0131z ve on erkek aras\u0131nda ben de vard\u0131m. \u0130kinci eleme halk j\u00fcrisi taraf\u0131ndan yap\u0131ld\u0131 ve ben j\u00fcrinin ortak karar\u0131yla birinci oldum. B\u00f6ylece ya\u015fam\u0131mda yeni bir d\u00f6nem ba\u015flam\u0131\u015f oldu. <\/p>\n

\"\"<\/p>\n

“\u0130lk plak i\u00e7in iki y\u0131l bekledim” <\/strong>\u0130lk i\u015f teklifimi rahmetli Egemen Bostanc\u0131’dan ald\u0131m. Ancak annem b\u00fct\u00fcn zamanlar\u0131n bu en \u00fcnl\u00fc menajerine, “k\u0131z\u0131m\u0131n ya\u015f\u0131 \u00e7ok k\u00fc\u00e7\u00fck, hen\u00fcz okuyor, sahneye \u00e7\u0131kamaz” yan\u0131t\u0131n\u0131 verdi. Dolay\u0131s\u0131yla ya\u015fam benim i\u00e7in eskisi gibi s\u00fcr\u00fcyordu. Yar\u0131\u015fmadan bir ka\u00e7 ay sonra, bir plak\u00e7\u0131 d\u00fckkan\u0131na al\u0131\u015fveri\u015fe gitti\u011fimde hayat\u0131m\u0131n tamamen de\u011fi\u015fece\u011finden habersizdim. J\u00fcri \u00fcyelerinden Nino Varon oradayd\u0131, beni hemen tan\u0131d\u0131 ve yan\u0131ma yakla\u015farak, “Sen o yar\u0131\u015fmadaki k\u0131z de\u011fil misin?”diye sordu. Nino Varon o d\u00f6nemlerin \u00fcnl\u00fc prod\u00fckt\u00f6rlerinden biri. B\u00f6ylesine \u00f6nemli birinin aylar sonra beni hat\u0131rlamas\u0131 m\u00fcthi\u015f gururumu ok\u015fad\u0131 elbette B\u00fcy\u00fck bir sevin\u00e7le “Evet, o benim!” dedim. “Plak yapmak ister misin?” \u0130stemez miyim, hem de nas\u0131l isterim! Yine az dil d\u00f6kmedim anneme. Onun da g\u00f6nl\u00fcn\u00fc yap\u0131nca Nino Varon ile Odeon plak \u015firketinde bulu\u015ftuk. Orada yeniden \u015fark\u0131 s\u00f6yledim. Yeni bir s\u0131navd\u0131 bu benim i\u00e7in, hayat\u0131m\u0131n s\u0131nav\u0131. \u015eark\u0131m bitince Nino Varon heyecanla, “Tamamd\u0131r, oldu bu i\u015f” dedi. B\u00f6ylece hayat\u0131m\u0131n ilk s\u00f6zle\u015fmesine imza atm\u0131\u015f oldum. Ancak tam iki y\u0131l beklemek zorunda kald\u0131m. Dile kolay, aradan iki uzun y\u0131l ge\u00e7mi\u015fti ve beni kimse aramam\u0131\u015ft\u0131. Dayanamay\u0131p ben arad\u0131m sonunda. “Bir s\u00f6zle\u015fme yapm\u0131\u015ft\u0131k, neden beni kimse aram\u0131yor?” diye sitemde bulundum. Bunun \u00fczerine Nino Varon’la yeniden ba\u011flant\u0131 kuruldu ve plak olay\u0131 yeniden g\u00fcndeme geldi. 1972’de nihayet start verildi. Haftan\u0131n \u00fc\u00e7-d\u00f6rt g\u00fcn\u00fc Odeon Plak \u015firketindeydim. \u00c7al\u0131\u015fmalar h\u0131zl\u0131 bir \u015fekilde s\u00fcr\u00fcyordu. \u0130lk 45’lik pla\u011f\u0131m Kalbim Bir Pusula 1972 y\u0131l\u0131nda piyasaya \u00e7\u0131kt\u0131. Hayat\u0131mda bir \u00f6nemli ilk daha ger\u00e7ekle\u015fmi\u015fti. Plak \u00e7\u0131kt\u0131\u011f\u0131 s\u0131rada \u0130talyan Lisesi’nde \u00f6\u011frenciydim. Heyecanla o y\u0131llar\u0131n tek gen\u00e7lik ve m\u00fczik dergisi olan HEY dergisini al\u0131yordum, arkada\u015flar\u0131mla beraber kaset listelerine bak\u0131yor, benimle ilgili haberleri takip ediyorduk.<\/p>\n

“\u00c7al\u0131\u015f\u0131rken sab\u0131rl\u0131 ve titizim”<\/strong>
Sabahlar\u0131 uyan\u0131r uyanmaz kafam \u00e7al\u0131\u015fmaya ba\u015flar. Hayata derhal adapte olurum. \u00c7\u00fcnk\u00fc amac\u0131m ya\u015fad\u0131\u011f\u0131m g\u00fcn\u00fc kazanmak ve her dakikas\u0131n\u0131 de\u011ferlendirmektir. \u0130\u015fimde iyiyi bulana kadar beklerim. \u00c7ok sab\u0131rl\u0131y\u0131md\u0131r. \u00d6zellikle bekleme safhas\u0131nda sakin olurum. Ancak her \u015fey haz\u0131rken aksilik \u00e7\u0131kmas\u0131na katlanam\u0131yorum. Ben \u00fczerime d\u00fc\u015fen her \u015feyi titizlikle yapmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m i\u00e7in ba\u015fkalar\u0131ndan da ayn\u0131 \u00f6zeni bekliyorum. \u00c7ok fazla sinirlendi\u011fimde dilim keskin oluyormu\u015f. \u00d6yle diyorlar. So\u011fukkanl\u0131 say\u0131l\u0131r\u0131m. Yine de \u00f6zellikle konserlerde, orkestra ses ve \u0131\u015f\u0131k d\u00fczeninin istedi\u011fim gibi olmazsa hemen pani\u011fe kap\u0131l\u0131yorum. Ama pani\u011fimi kimseye belli etmem, etmemeye \u00e7al\u0131\u015f\u0131r\u0131m. Kendi kendimi yer, ama etrafa g\u00fcl\u00fcc\u00fckler da\u011f\u0131t\u0131r\u0131m.<\/p>\n

“Sahnede kendimi buluyorum”<\/strong>Seyirciyle beraber olman\u0131n verdi\u011fi sevinci, mutlulu\u011fu, enerjiyi anlatmak biraz zor, hatta imkans\u0131z bence. Biz sanat\u00e7\u0131lar kendimizi en \u00e7ok sahnede buluruz. Kendimizi orda en mutlu hissederiz. Benim de ger\u00e7ek ki\u015fili\u011fim sahnede ortaya \u00e7\u0131kar. \u0130\u00e7imden geldi\u011fi gibi davran\u0131r\u0131m. Kendimi asla k\u0131s\u0131tlamam, frenlemem. K\u0131saca kontrol mekanizmam sahnede iptal olur genellikle. Kendimi sahnede do\u011fal, sade ve rahat hissetmem \u00e7ok \u00f6nemli. Hele izleyici de dinlemeye ve kat\u0131lmaya haz\u0131rsa benden mutlusu olamaz. Televizyon \u00e7ekimleri benim i\u00e7in hep stres kayna\u011f\u0131 olmu\u015ftur. Bu \u00e7ekimler ger\u00e7ek ki\u015fili\u011fimin ortaya \u00e7\u0131kmas\u0131n\u0131 \u00f6nl\u00fcyor. Bu y\u00fczden beni televizyondan g\u00f6r\u00fcp de tan\u0131yanlar, yeterince s\u0131cak bulmazlar. Daha sonra yak\u0131ndan tan\u0131yanlar\u0131n hepsinin tepkisi hemen hemen hep ayn\u0131 olmu\u015ftur.<\/p>\n

“Yetenek ve \u00e7al\u0131\u015fma birbirini tamaml\u0131yor”<\/strong>
Ba\u015far\u0131n\u0131n yolu, ilk olarak \u00e7ok \u00e7al\u0131\u015fmaktan ge\u00e7iyor. \u0130nsan\u0131n amac\u0131n\u0131 belirlemesi, bu amac\u0131 do\u011frultusunda hayat\u0131na y\u00f6n vermesi ve \u00e7ok \u00e7al\u0131\u015fmas\u0131 onun istedi\u011fi ba\u015far\u0131y\u0131 yakalamas\u0131n\u0131 sa\u011fl\u0131yor. \u00d6rne\u011fin ben sesimi koruyabilmek i\u00e7in her g\u00fcn \u00e7al\u0131\u015f\u0131yorum. Sonu\u00e7ta ses telleri de birer kas ve s\u00fcrekli egzersiz gerekiyor. \u015ean derslerini hi\u00e7 b\u0131rakmamak gerekiyor. Benim de periyodik \u015fan derslerim aral\u0131ks\u0131z devam ediyor. Yetenekse bence do\u011fu\u015ftan gelen bir \u015fey. Yani herkes biraz e\u011fitimle bir \u015feyler yapabilir ama bir Mozart veya bir Monet olamaz mesela. \u0130nsan\u0131n yetene\u011fini ke\u015ffetmesi ve onun \u00fcst\u00fcne gitmesi \u00e7ok \u00f6nemli. En \u00fcz\u00fcld\u00fc\u011f\u00fcm \u015fey; kaybolan, g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131kamayan yetenekler.<\/p>\n

“Ba\u015fka bir i\u015f yapmay\u0131 hi\u00e7 d\u00fc\u015f\u00fcnmedim”<\/strong>
En sevdi\u011fim ve istedi\u011fim mesle\u011fi yap\u0131yorum. Hayat\u0131m\u0131n en keyifli i\u015fi \u015fark\u0131 s\u00f6ylemek. Ben de bu keyfi b\u00fcy\u00fck bir co\u015fkuyla ya\u015f\u0131yorum. \u015eark\u0131larla \u00e7ok mutluyum. Ama b\u00fcy\u00fck ilgi duydu\u011fum, \u00e7ok b\u00fcy\u00fck keyif ald\u0131\u011f\u0131m bir sanat daha var. Resim yap\u0131yorum. Bu yetene\u011fimi geli\u015ftirmek i\u00e7in kurslara gittim.<\/p>\n

“UNICEF’le g\u00fczel i\u015fler yapt\u0131k”<\/strong>
1997’de UNICEF taraf\u0131ndan “\u0130yi Niyet El\u00e7isi” ilan edildim. T\u00fcrkiye’de bir sanat\u00e7\u0131ya ilk kez b\u00f6yle bir \u00fcnvan veriliyordu. \u00c7ok mutlu oldum ve gururland\u0131m. \u00c7ok da heyecanl\u0131yd\u0131m. \u00c7ok b\u00fcy\u00fck bir sorumluluk \u00fcstlenmi\u015ftim. Daha \u00e7ok dikkat etmeliyim att\u0131\u011f\u0131m her ad\u0131ma. 14 Kas\u0131m 1997’de d\u00fczenlenen bir t\u00f6renle \u00e7al\u0131\u015fmalar\u0131m\u0131za ba\u015flad\u0131k. UNICEF’le \u00e7ok g\u00fczel i\u015fler yapt\u0131k. Ancak bir s\u00fcre \u00f6nce yollar\u0131m\u0131z ayr\u0131ld\u0131. Ama yanl\u0131\u015f anla\u015f\u0131lmas\u0131n bu demek de\u011fil ki beraber bir \u015feyler yapmayaca\u011f\u0131z. Hepimiz \u00e7ocuklar\u0131m\u0131z i\u00e7in daha iyi bir gelecek, daha iyi bir ya\u015fam istiyoruz. O y\u00fczden bu gibi yard\u0131m kurulu\u015flar\u0131yla her zaman \u00e7al\u0131\u015fmaya devam edece\u011fim.<\/p>\n

“K\u0131z\u0131m benim her \u015feyim”<\/strong>
Ay\u015fe Nazl\u0131’y\u0131 evlat edinene kadar kendimi anneli\u011fe haz\u0131r hissetmiyordum. E\u011fer anneli\u011fe haz\u0131r olsayd\u0131m, \u00e7oktan do\u011fururdum zaten. Bir tak\u0131m sa\u011fl\u0131k problemlerimin olmas\u0131; ast\u0131m gibi, bu y\u00fczden olu\u015fan endi\u015felerim, i\u015flerimin yo\u011funlu\u011fu gibi \u00e7e\u015fitli nedenlerden dolay\u0131 anne olmay\u0131 hep erteledim. Erteledik\u00e7e zaman ge\u00e7ti. Zaman ge\u00e7tik\u00e7e bu fikirden uzakla\u015ft\u0131m. Pi\u015fman olmad\u0131m ama zamanla hayat\u0131mda bu konuyla ilgili bir bo\u015fluk hissetmeye ba\u015flad\u0131m. \u00d6zellikle 40’l\u0131 ya\u015flara gelince bu eksikli\u011fi hissetmeye ba\u015flad\u0131m. San\u0131r\u0131m bu ya\u015flar kad\u0131nlar i\u00e7in bir d\u00f6n\u00fcm noktas\u0131. Hayat\u0131m\u0131 dolduracak, hi\u00e7bir kar\u015f\u0131l\u0131k beklemeden bir \u015feyler verebilece\u011fim, her \u015feyimi payla\u015fabilece\u011fim bir sevgi eksikli\u011fi. Do\u011furmakla ilgili hala endi\u015felerim vard\u0131. Evlat edinmeyi ise hi\u00e7 d\u00fc\u015f\u00fcnmemi\u015ftim. Ama bir arkada\u015f\u0131m, evlat edinen ba\u015fka bir arkada\u015f\u0131m\u0131zdan s\u00f6z etti. Ne kadar mutlu oldu\u011funu, neler ya\u015fad\u0131\u011f\u0131n\u0131 anlatt\u0131. O anda birden “Neden olmas\u0131n?” dedim. Giderek bu fikir akl\u0131ma yatmaya ba\u015flad\u0131 ve karar\u0131m\u0131 verdim. G\u00fcnlerim genellikle yo\u011fun ge\u00e7iyor. Alb\u00fcm \u00e7al\u0131\u015fmas\u0131, di\u011fer \u00e7al\u0131\u015fmalar derken g\u00fcn olduk\u00e7a h\u0131zl\u0131 ge\u00e7iyor ancak \u00f6zellikle k\u0131z\u0131ma mutlaka vakit ay\u0131r\u0131yorum. Her ge\u00e7en g\u00fcn k\u0131z\u0131mla vakit ge\u00e7irmekten daha da keyif al\u0131yorum. Topluma faydal\u0131 ve d\u00fczg\u00fcn bir \u00e7ocuk yeti\u015ftirmek i\u00e7in elimden geleni yap\u0131yorum.<\/p>\n

<\/span><\/p>\n\n

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Nil\u00fcfer, 35. sanat y\u0131l\u0131nda yine zirvede. Bir d\u00f6nem Unicef’in iyi niyet el\u00e7ili\u011fini de yapan \u00fcnl\u00fc sanat\u00e7\u0131 ba\u015far\u0131s\u0131n\u0131, i\u015finde hep daha iyisini aramas\u0131na ve sab\u0131rla bekleyebilmesine ba\u011fl\u0131yor. Nil\u00fcfer’in o muhte\u015fem sesini, b\u00fcy\u00fck ustal\u0131kla s\u00f6yledi\u011fi \u015fark\u0131lar\u0131n\u0131 sevmeyen san\u0131r\u0131z ki yoktur. “D\u00fcnya D\u00f6n\u00fcyor”dan “Mavilim”e, tam 35 y\u0131ld\u0131r Nil\u00fcfer, ya\u015fam\u0131m\u0131z\u0131n i\u00e7inde. Her d\u00f6nemi imaj\u0131na ve \u015fark\u0131lar\u0131na ba\u015far\u0131yla yans\u0131tan \u00fcnl\u00fc […]<\/p>\n\n

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