{"id":2669,"date":"2007-11-08T02:00:00","date_gmt":"2007-11-08T00:00:00","guid":{"rendered":"http:\/\/92.45.35.169\/antikaci-bingul-tezer\/"},"modified":"2024-07-03T16:03:07","modified_gmt":"2024-07-03T13:03:07","slug":"antikaci-bingul-tezer","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/antikaci-bingul-tezer\/","title":{"rendered":"Antikac\u0131 ‘Bing\u00fcl Tezer’"},"content":{"rendered":"
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\"\"Bir kahve fincan\u0131n\u0131n sap\u0131ndaki k\u00fc\u00e7\u00fcc\u00fck bir \u00e7i\u00e7ek deseni neler anlatabilir? Rengiyle kullan\u0131lan malzemeyi, formuyla yap\u0131ld\u0131\u011f\u0131 d\u00f6nemi, hatta belki onu yapan zanaatkar\u0131… Antikac\u0131lar i\u015fte bu ipu\u00e7lar\u0131ndan yola \u00e7\u0131karak ellerine ge\u00e7en her de\u011ferli nesneyle ayr\u0131 bir ser\u00fcvene ad\u0131m at\u0131yor. Eski bir e\u015fyan\u0131n izini s\u00fcrerken eski sahiplerinin hayatlar\u0131, o d\u00f6nemde \u00fclkede ge\u00e7en \u00f6nemli olaylar, trajediler, kutlamalar, h\u00fcz\u00fcn ve mutluluklar gelip o k\u00fc\u00e7\u00fcc\u00fck \u00e7i\u00e7ek deseninde toplanabiliyor. Ge\u00e7mi\u015fin romantik tad\u0131na m\u00fczayedelerin heyecan\u0131 da eklenince antikac\u0131l\u0131k heyecan dolu bir ser\u00fcvene d\u00f6n\u00fc\u015f\u00fcyor. Antikac\u0131 Bing\u00fcl Tezer de bu heyecandan vazge\u00e7emeyenlerden. Mesle\u011fine sevgisini s\u00f6zc\u00fcklere s\u0131\u011fd\u0131ramayan, \u00f6zellikle eski Osmanl\u0131 sanat\u0131na \u00e7ok d\u00fc\u015fk\u00fcn olan Tezer, belki de bu y\u00fczden Osmanl\u0131’n\u0131n t\u00fcm asaletini bak\u0131\u015f\u0131nda, duru\u015funda ta\u015f\u0131yor. Tezer’e antika sevgisinin nas\u0131l do\u011fdu\u011funu sorduk ve ba\u015flad\u0131 anlatmaya… <\/font><\/span><\/div>\n
Antikalara duydu\u011funuz bu sevgi nas\u0131l do\u011fdu?<\/font><\/span><\/strong><\/div>\n
Ben kendimi bildim bileli hep \u00e7ok sevdim antikalar\u0131. Ca\u011falo\u011flu’nda okurken Kapal\u0131\u00e7ar\u015f\u0131’daki m\u00fczayedeleri izlemeye giderdim b\u00fcy\u00fck bir hevesle. Derken kendimi m\u00fczayede yaparken buldum. Ayr\u0131ca benim annem hattatt\u0131. \u00dcstelik icazetli hattatt\u0131, yani ustal\u0131k belgesine sahipti. O zamanda bir kad\u0131n i\u00e7in bu \u00e7ok b\u00fcy\u00fck bir \u015fey. \u00c7ok da g\u00fczel resim yapard\u0131. San\u0131yorum b\u00f6yle bir ortam\u0131n i\u00e7inde b\u00fcy\u00fcy\u00fcnce de insan biraz sanata yatk\u0131n oluyor. Resim sanat\u0131ndan, asl\u0131nda b\u00fct\u00fcn sanatlardan hep b\u00fcy\u00fck zevk ald\u0131m. Tarihten b\u00fcy\u00fck zevk ald\u0131m. \u0130stanbul’da ya\u015f\u0131yor olmak da b\u00fcy\u00fck bir \u015fanst\u0131 benim i\u00e7in. \u0130stanbul tarihi \u00e7ok k\u00f6kl\u00fc bir \u015fehir, nereye baksan\u0131z tarih g\u00f6r\u00fcyorsunuz. Etraf\u0131mdaki b\u00fct\u00fcn bu zenginlikler beni de etkiledi tabii ki.<\/font><\/span><\/div>\n
 <\/span>Ne zaman meslek olarak se\u00e7tiniz?<\/span><\/strong><\/font><\/div>\n
Meslek olarak antikac\u0131l\u0131\u011fa ba\u015flamam 30 ya\u015f\u0131mdan sonra oldu. Ondan \u00f6nce m\u00fczik \u00f6\u011fretmeniydim ve \u00e7ocuklar\u0131m\u0131 b\u00fcy\u00fctmekle vakit ge\u00e7irdim. Bir o\u011flum, bir de k\u0131z\u0131m var. O\u011flum \u015fu an \u00fcnl\u00fc bir caz m\u00fczisyeni. Dedi\u011fim gibi, 30 ya\u015f\u0131mdan sonra \u0130stanbul’da m\u00fczayedeler d\u00fczenlemeye ba\u015flad\u0131m, bir de \u0130zmir’de k\u00fc\u00e7\u00fck galerim vard\u0131 o zamanlar. E\u015fimin i\u015fi dolay\u0131s\u0131yla bir s\u00fcre \u0130zmir’de ya\u015fad\u0131m. Daha sonra bunlar\u0131 \u0130stanbul’a naklettik. Bir s\u00fcre de sa\u011fl\u0131\u011f\u0131m nedeniyle ara verdim ama \u015fu an Alif Art’la yine devam ediyorum.<\/font><\/span><\/div>\n
\u0130zmir’de \u0130stanbul’u \u00f6zlemediniz mi?<\/font><\/span><\/strong><\/div>\n
Evlendikten sonra e\u015fimin mesle\u011fi nedeniyle 10 y\u0131l \u0130zmir’de ya\u015fad\u0131m. O s\u0131rada \u0130stanbul’da olmaman\u0131n pek de s\u0131k\u0131nt\u0131s\u0131n\u0131 \u00e7ekmedim a\u00e7\u0131k\u00e7as\u0131. Ailecek tarihe \u00e7ok \u00f6nem verdi\u011fimiz i\u00e7in rehberlik kurslar\u0131 g\u00f6rd\u00fck. K\u0131z\u0131m e\u011fitiminin yan\u0131 s\u0131ra lisanl\u0131 turist rehberi oldu o d\u00f6nemde. \u0130zmir’de tarihle i\u00e7 i\u00e7e o kadar g\u00fczel vakit ge\u00e7irdim ki anlatamam. \u00c7ok \u00f6nemli hocalarla \u00e7al\u0131\u015ft\u0131k. Bakmay\u0131 bilirseniz insan her yerde ayr\u0131 bir hazine bulabiliyor. Her \u015fey insan\u0131n kafas\u0131n\u0131n i\u00e7inde. 10 y\u0131l \u0130zmir’e yetmedi.<\/font><\/span><\/div>\n
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Mesle\u011finizde nas\u0131l ustala\u015ft\u0131n\u0131z? Bu alanda uzmanla\u015fmak isteyenlere ne tavsiye ediyorsunuz?<\/font><\/span><\/strong><\/div>\n
Bu asl\u0131nda bir derya, ne kadar \u00f6\u011frenseniz, ne kadar bilseniz hep bir \u015feyler eksik kal\u0131yor. her \u015feyi bilmek m\u00fcmk\u00fcn de\u011fil. Bence tecr\u00fcbe \u00e7ok \u00f6nemli. Ne kadar \u00e7ok eser g\u00f6r\u00fcrseniz, ne kadar \u00e7ok m\u00fcze gezerseniz, o kadar k\u0131yaslama yapma imkan\u0131n\u0131z oluyor. Ara\u015ft\u0131rman\u0131n ve teorik bilgilerin yan\u0131nda bu tecr\u00fcbenin olmas\u0131 \u015fart. \u00c7\u00fcnk\u00fc ancak o zaman k\u0131yaslamayla sa\u011fl\u0131kl\u0131 bir fiyat belirlemesi yapabiliyorsunuz. Teorik bilgiyi edinmek i\u00e7in de \u00e7ok okuyacaks\u0131n\u0131z ve ara\u015ft\u0131racaks\u0131n\u0131z. \u00d6rne\u011fin ben yurtd\u0131\u015f\u0131nda, yurti\u00e7inde birtak\u0131m e\u011fitimlere kat\u0131ld\u0131m ama as\u0131l ustal\u0131\u011f\u0131m\u0131 deneyimle, \u00e7ok eser g\u00f6rerek kazand\u0131m. G\u00fcn\u00fcm\u00fczde internet gibi imkanlar sayesinde d\u00fcnya \u00e7ok k\u00fc\u00e7\u00fck. Fransa’da olmak i\u00e7in Fransa’ya gitmeniz gerekmiyor \u00f6rne\u011fin. Oradaki bir m\u00fczayedeye \u0130stanbul’daki bilgisayar\u0131n\u0131z\u0131n ba\u015f\u0131nda kat\u0131labiliyorsunuz. <\/font><\/span><\/div>\n
Antikan\u0131n maddi de\u011feri nas\u0131l tespit ediliyor?<\/font><\/span><\/strong><\/div>\n
Bir\u00e7ok fakt\u00f6r var bir antikan\u0131n de\u011ferini belirleyen. \u00d6ncelikle kullan\u0131lan malzeme, ait oldu\u011fu d\u00f6nem, benzerlerine g\u00f6re i\u00e7inde bulundu\u011fu durum ve tabii ki y\u0131pranm\u0131\u015f olup olmad\u0131\u011f\u0131… \u00d6ncelikle benzerleriyle bir k\u0131yaslama yap\u0131l\u0131yor ve buna g\u00f6re karar veriliyor. Bir de borsa gibidir antikalar\u0131n fiyatlar\u0131n\u0131n belirlenmesi. Belirli trendler var, bunlar\u0131 yakalayabilirseniz b\u00fcy\u00fck maddi kazan\u00e7lar elde edebiliyorsunuz. Zaman zaman baz\u0131 antikalara talep art\u0131yor, bu y\u00fczden de fiyatlar\u0131 y\u00fckseliyor. Sadece yat\u0131r\u0131m amac\u0131yla belirli bir t\u00fcrde antika toplay\u0131p sonra bunlar\u0131n y\u00fckseli\u015fe ge\u00e7mesini bekleyebilirsiniz, \u00f6rne\u011fin. <\/font><\/span><\/div>\n
Son zamanlarda antikada y\u00fckselen trend hangisi?<\/font><\/span><\/strong><\/div>\n
Birka\u00e7 y\u0131l \u00f6nceye kadar Osmanl\u0131 tu\u011fral\u0131 g\u00fcm\u00fc\u015fleri \u00e7ok reva\u00e7tayd\u0131. Bir evde bu tu\u011fral\u0131 g\u00fcm\u00fc\u015flerden bulunmas\u0131 b\u00fcy\u00fck prestij getiren bir \u015feydi. \u015eu aralar ise tombaklara b\u00fcy\u00fck ra\u011fbet oldu\u011funu g\u00f6r\u00fcyoruz. Tophane seramikleri de y\u00fckselen bir trend diyebilirim. Osmanl\u0131 ressamlar\u0131n\u0131n tablolar\u0131 da hi\u00e7 olmad\u0131klar\u0131 kadar g\u00fcndemde bu aralar. Asl\u0131nda genele bakt\u0131\u011f\u0131m\u0131zda, Osmanl\u0131 sanat\u0131n\u0131n yeniden ke\u015ffedildi\u011fini,y\u00fckseli\u015fe ge\u00e7ti\u011fini g\u00f6r\u00fcyoruz. Bat\u0131 da fark etti Osmanl\u0131 sanat\u0131n\u0131n g\u00fczelli\u011fini. Eskiden m\u00fczayedelere serpi\u015ftirilmi\u015f par\u00e7alar konurken art\u0131k sadece Osmanl\u0131 sanat\u0131na \u00f6zel m\u00fczayedeler d\u00fczenleniyor. Demek ki b\u00fct\u00fcn d\u00fcnyada g\u00fcncel. <\/font><\/span><\/div>\n
Antikalar\u0131n korunmas\u0131 ad\u0131na \u015fu an sizce neredeyiz?<\/font><\/span><\/strong><\/div>\n
Bahsetti\u011fim gibi, Cumhuriyet’in kurulmas\u0131n\u0131 takiben Osmanl\u0131 sanat\u0131 bir s\u00fcre \u00e7ok g\u00f6lgede kald\u0131. Bu s\u00fcre zarf\u0131nda da yabanc\u0131lar bir\u00e7ok Osmanl\u0131 eserini al\u0131p yurtd\u0131\u015f\u0131na g\u00f6t\u00fcrd\u00fc. Birinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda \u0130stanbul i\u015fgal edildi\u011fi zaman \u0130ngiliz ve Frans\u0131zlar’\u0131n Kapal\u0131\u00e7ar\u015f\u0131’dan bir\u00e7ok eser al\u0131p g\u00f6t\u00fcrd\u00fcklerini biliyoruz. Bunlar\u0131 sat\u0131n alarak T\u00fcrkiye’ye geri getirmeye u\u011fra\u015f\u0131yoruz \u015fimdi. Fakat d\u0131\u015far\u0131ya gidenler korunmu\u015f, biraz isabet olmu\u015f diyebiliriz. Bir\u00e7ok eserin kaybolmas\u0131n\u0131n di\u011fer bir nedeni de \u0130stanbul’daki deprem ve yang\u0131nlar. \u0130stanbul defalarca sava\u015flarla, depremlerle y\u0131k\u0131lm\u0131\u015f, yang\u0131nlarla tahrip olmu\u015f bir kent. Birinci Fatih Yang\u0131n\u0131, \u0130kinci Fatih yang\u0131n\u0131 ad\u0131 verilen \u00e7ok b\u00fcy\u00fck yang\u0131nlarda neredeyse b\u00fct\u00fcn \u015fehir k\u00fcl olmu\u015f. O zamanlarda b\u00fcy\u00fck hattatlar\u0131n eserleri de yok olmu\u015f. Kapal\u0131\u00e7ar\u015f\u0131’n\u0131n tarihine bakarsan\u0131z defalarca yan\u0131p y\u0131k\u0131l\u0131p yeniden in\u015fa edildi\u011fini g\u00f6rebilirsiniz. Binalar\u0131n ah\u015fap olu\u015fu da yang\u0131nlar\u0131 tetiklemi\u015f. \u0130\u015fte t\u00fcm bu nedenlerden dolay\u0131 baz\u0131 eserlerimizi kaybetmi\u015fiz. Ama son zamanlarda \u00f6zellikle Osmanl\u0131 sanat\u0131 konusunda b\u00fcy\u00fck bir ayd\u0131nlanma ya\u015fand\u0131\u011f\u0131n\u0131 s\u00f6yleyebilirim. <\/font><\/span><\/div>\n
Sizce Osmanl\u0131 sanat\u0131n\u0131n en g\u00fczel yan\u0131 ne?<\/font><\/span><\/strong><\/div>\n
Osmanl\u0131, sanat\u0131n\u0131 ba\u015fka bir \u00fclkenin k\u00fclt\u00fcr\u00fcnden de alsa daime en yal\u0131n\u0131n\u0131 yapm\u0131\u015f. Formalr \u00e7ok g\u00fczel, \u00e7ok yal\u0131n. Hat sanat\u0131nda ger\u00e7ekten de bizim d\u00fczeyimize eri\u015fen yok. Baz\u0131 pers sanat\u00e7\u0131lar var ama \u00e7ok az. Osmanl\u0131 sanat\u0131 \u0130slam sanat\u0131 kapsam\u0131nda de\u011ferlendiriliyor ama bence \u0130slam sanat\u0131n\u0131n en g\u00fczel \u00f6rneklerini de Osmanl\u0131lar vermi\u015f. Bir\u00e7ok k\u00fclt\u00fcrden gelen formlar Osmanl\u0131’da en saf, en g\u00fczel halini bulmu\u015f. T\u0131pk\u0131 camilerin mimarisinin kiliselerden etkilenmesi ama sonu\u00e7ta bakt\u0131\u011f\u0131n\u0131zda camilerin daha g\u00fczel olmas\u0131 gibi. Osmanl\u0131’n\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fc de buradan geliyor bence, bir doruk noktas\u0131 gibi, zaman\u0131n \u00f6tesine ge\u00e7en sade ama geli\u015fmi\u015f formlar yaratm\u0131\u015flar. Mimaride, hat sanat\u0131nda, dokumac\u0131l\u0131kta… Osmanl\u0131’n\u0131n \u00e7ok \u00f6zel bir k\u00fclt\u00fcr oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. T\u00fcm bu k\u00fclt\u00fcrler \u00f6yle bir sentez yarat\u0131lm\u0131\u015f ki, \u00e7ok ba\u015far\u0131l\u0131 bir sonu\u00e7 ortaya \u00e7\u0131km\u0131\u015f.<\/font><\/span><\/div>\n
Geriye d\u00f6n\u00fcp bakt\u0131\u011f\u0131n\u0131zda “ke\u015fke” dedi\u011finiz bir \u015fey var m\u0131?<\/font><\/span><\/strong><\/div>\n
Arkeolog olmak isterdim. En \u00e7ok olmak istedi\u011fim \u015fey bu. Bir de \u00e7ok iyi bir ses sanat\u00e7\u0131s\u0131 olmak isterdim, \u00e7ok g\u00fczel \u015fark\u0131 s\u00f6yleyen insanlar\u0131 \u00e7ok k\u0131skan\u0131yorum. Daha do\u011frusu g\u0131pta ediyorum. Sonra ressam olmak isterdim… Sanat\u0131n her dal\u0131na merakl\u0131y\u0131m a\u00e7\u0131k\u00e7as\u0131. Hepsini birden olmak isterdim. <\/font><\/span><\/div>\n
 <\/font><\/div>\n

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Bir kahve fincan\u0131n\u0131n sap\u0131ndaki k\u00fc\u00e7\u00fcc\u00fck bir \u00e7i\u00e7ek deseni neler anlatabilir? Rengiyle kullan\u0131lan malzemeyi, formuyla yap\u0131ld\u0131\u011f\u0131 d\u00f6nemi, hatta belki onu yapan zanaatkar\u0131… Antikac\u0131lar i\u015fte bu ipu\u00e7lar\u0131ndan yola \u00e7\u0131karak ellerine ge\u00e7en her de\u011ferli nesneyle ayr\u0131 bir ser\u00fcvene ad\u0131m at\u0131yor. Eski bir e\u015fyan\u0131n izini s\u00fcrerken eski sahiplerinin hayatlar\u0131, o d\u00f6nemde \u00fclkede ge\u00e7en \u00f6nemli olaylar, trajediler, kutlamalar, h\u00fcz\u00fcn ve […]<\/p>\n\n

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