{"id":5351,"date":"2015-04-08T14:45:32","date_gmt":"2015-04-08T11:45:32","guid":{"rendered":"http:\/\/www.kariyer.net\/kariyer-rehberi\/?p=5351"},"modified":"2024-07-03T15:04:45","modified_gmt":"2024-07-03T12:04:45","slug":"sanatci-yasadigi-zamandan-izler-tasimali","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/sanatci-yasadigi-zamandan-izler-tasimali\/","title":{"rendered":"Sanat\u00e7\u0131 ya\u015fad\u0131\u011f\u0131 zamandan izler ta\u015f\u0131mal\u0131"},"content":{"rendered":"

Yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarda \u00f6zellikle \u201cinsan\u201d kavram\u0131na odakland\u0131\u011f\u0131n\u0131 s\u00f6yleyen \u00d6zcan Uzkur, sanat\u00e7\u0131n\u0131n i\u00e7inde ya\u015fad\u0131\u011f\u0131 zaman\u0131n yak\u0131n bir tan\u0131\u011f\u0131 oldu\u011funu\u00a0ve \u00e7al\u0131\u015fmalar\u0131nda kendini ifade ederken bulundu\u011fu zamandan izler ta\u015f\u0131mas\u0131 gerekti\u011fini belirtiyor.<\/strong><\/p>\n

\"ozcanuzkur\"<\/a>Akademisyen kimli\u011fi ile edindi\u011fi deneyimleri yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarla birle\u015ftirerek ya\u015famda var olmaya \u00e7al\u0131\u015fan biri \u00d6zcan Uzkur\u2026 \u00c7al\u0131\u015fmalar\u0131n\u0131n daha \u00f6nce benzerine rastlamad\u0131\u011f\u0131m farkl\u0131 bir tarza sahip olmas\u0131n\u0131n onlar\u0131 daha \u00e7ekici k\u0131ld\u0131\u011f\u0131n\u0131, her birinin ard\u0131nda yatan hikayeyi daha da merak etmeme neden oldu\u011funu s\u00f6yleyebilirim.\u00a0Yapt\u0131\u011f\u0131m\u0131z sohbette, \u201cHepimizin ya\u015famda bir var olma nedeni var. Bunlar bazen mesle\u011fimiz, bazen hobimiz olarak tan\u0131mlan\u0131yor\u2026 Zaman i\u00e7inde bir var olma bi\u00e7imimiz var. Benim de yapt\u0131klar\u0131m zaman i\u00e7inde var olma bi\u00e7imim\u201d diye anlat\u0131yor yapt\u0131\u011f\u0131 i\u015fi Uzkur. \u015eu anda \u0130stanbul Kemerburgaz \u00dcniversitesi G\u00fczel Sanatlar ve Tasar\u0131m Fak\u00fcltesi Moda ve Tekstil Tasar\u0131m\u0131 B\u00f6l\u00fcm\u00fc<\/strong>\u2019nde \u00f6\u011fretim \u00fcyeli\u011fi de yapan Uzkur\u2019la, Gallery \u0130layda<\/strong> \u00e7at\u0131s\u0131 alt\u0131nda bulu\u015ftuk. Tekstilin sanat ile ili\u015fkisi ve iplerin beden buldu\u011fu \u00e7al\u0131\u015fmalar\u0131 hakk\u0131nda konu\u015ftuk.<\/p>\n

Tekstili sanatla bulu\u015fturma fikri akl\u0131n\u0131za nereden geldi?
\n<\/strong>Devlet Tatbiki G\u00fczel Sanatlar Y\u00fcksek Okulu Tekstil<\/a> Sanatlar\u0131 B\u00f6l\u00fcm\u00fc’nden mezun oldum. Ald\u0131\u011f\u0131m e\u011fitim tekstil ve tekstil malzemelerini yak\u0131ndan tan\u0131mam\u0131 sa\u011flad\u0131. Bu malzemeleri kullanarak sekt\u00f6re y\u00f6nelik de\u011fil de kendimi ifade edebilecek i\u015fler yapmay\u0131 hedefledim. Yapt\u0131\u011f\u0131m uzun ara\u015ft\u0131rmalar ve denemeler sonucunda bu \u00e7al\u0131\u015fmalar ortaya \u00e7\u0131kt\u0131. T\u00fcm sanat disiplinleri sanat olarak ortaya \u00e7\u0131kmam\u0131\u015ft\u0131r, sanat olarak icat edilmemi\u015ftir. Foto\u011fraf, sinema, heykel, resim\u2026 Bunlar sanat olarak icat edilmemi\u015f, hep belirli bir i\u015flevsellik i\u00e7in \u00fcretilmi\u015ftir. Sonra birey kendi i\u00e7 yap\u0131s\u0131n\u0131, i\u00e7 yolculu\u011funu d\u0131\u015fa vurmak i\u00e7in kendine yak\u0131n buldu\u011fu bir disiplin i\u00e7inde kendini ifade etmi\u015ftir. \u0130\u015fte, ben de ba\u011f\u0131ms\u0131z bir sanat\u00e7\u0131 olarak tekstil malzemesi kullanarak hi\u00e7 kimseye hi\u00e7bir bi\u00e7imde hesap vermeksizin kendimi ifade etmeye \u00e7al\u0131\u015f\u0131yorum. Sadece kulland\u0131\u011f\u0131m malzeme de\u011fi\u015fiyor; boya yerine tekstil, ta\u015f veya mermer yerine yumu\u015fak malzeme kullan\u0131yorum.<\/p>\n

\u0130lk \u00e7al\u0131\u015fman\u0131z ne zaman ortaya \u00e7\u0131kt\u0131?\"2\"<\/a>
\n<\/strong>\u00d6\u011frencili\u011fimden itibaren farkl\u0131 malzemeler kullanmay\u0131 ve deneyselli\u011fi \u00f6n planda tutan bir ki\u015fili\u011fe sahiptim. \u0130lk d\u00f6nem sanatsal \u00e7al\u0131\u015fmalar\u0131m\u0131 boya ve bilinen resimleme teknikleriyle olu\u015fturdum. \u00c7\u00fcnk\u00fc T\u00fcrkiye\u2019de \u015fimdiki \u00e7al\u0131\u015fmalar\u0131 yapmak i\u00e7in \u00e7ok erkendi ve galeri bulmak s\u00f6z konusu de\u011fildi, izleyici buna haz\u0131r de\u011fildi. \u0130plik ile kendimi nas\u0131l ifade edebilirim ve ben bununla nas\u0131l bir \u015feyler yapabilirim d\u00fc\u015f\u00fcncesiyle yola \u00e7\u0131kt\u0131m. G\u00fcn\u00fcm\u00fcz \u00e7a\u011fda\u015f sanat\u0131nda \u201cFiber Art\/Lif Sanat\u0131<\/strong>\u201d diye tan\u0131mlanan bir sanat t\u00fcr\u00fc var. \u00d6zellikle 1960\u2019tan sonra d\u00fcnyada \u00e7ok yayg\u0131n bir hale geldi. Bug\u00fcn yapm\u0131\u015f oldu\u011fum \u00e7al\u0131\u015fmalar bu ba\u011flamda de\u011ferlendirilebilir. \u00c7al\u0131\u015fmalar\u0131m bir\u00e7ok uluslararas\u0131 Fiber Art sergilerinde yer al\u0131yor.<\/p>\n

Yapt\u0131\u011f\u0131n\u0131z \u00e7al\u0131\u015fmalar\u0131n temel konusunu ne olu\u015fturuyor?
\n<\/strong>Kendimi bildim bileli insan\u0131 sorgulad\u0131m, insan\u0131 anlatmaya \u00e7al\u0131\u015ft\u0131m. \u0130lk d\u00f6nem yapt\u0131\u011f\u0131m resimlerde de derdim insand\u0131. O zamanlar insan\u0131n daha farkl\u0131 y\u00f6nleri ile ilgileniyordum; \u015fimdi, ya\u015f\u0131m ile birlikte, birikimim, malzeme bilgim geli\u015fti ve insan\u0131n daha \u00f6nce fark etmedi\u011fim taraflar\u0131n\u0131 g\u00f6rmeye ba\u015flad\u0131m. \u0130nsan nedir, insan kimdir irdeliyorum. \u0130nsanl\u0131\u011f\u0131n zaman i\u00e7indeki ser\u00fcveni beni \u00e7ok ilgilendiriyor ve \u00e7al\u0131\u015fmalar\u0131m\u0131n temelini olu\u015fturuyor.<\/p>\n

Bir \u00e7al\u0131\u015fmaya ba\u015flamak i\u00e7in sizi tetikleyen \u015fey nedir? Ne zaman art\u0131k bir \u015feyler yaratmal\u0131y\u0131m diyorsunuz?
\n<\/strong>S\u00f6yledi\u011fim gibi derdim insanla. Fakat insans\u0131n\u0131n g\u00f6r\u00fcnmeyen, gizledi\u011fi \u00f6rtmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 vah\u015fi taraf\u0131 ile\u2026 G\u00fcncel olaylar beni etkiliyor, \u00e7a\u011f\u0131 soluyorsam g\u00fcn\u00fc takip etmem gerekiyor. Benim de \u00e7a\u011f\u0131ma ait bir sorumlulu\u011fum var, kendimi \u00f6yle hissediyorum.Baz\u0131 konularda o g\u00fcne ait olan olaylardan yola \u00e7\u0131k\u0131yorum. \u00d6rne\u011fin, bir seri \u00e7al\u0131\u015fmam\u0131n ad\u0131 Kurban<\/strong>\u2019d\u0131. Soma facias\u0131nda ya\u015fam\u0131n\u0131 yitirmi\u015f maden i\u015f\u00e7ilerine adanm\u0131\u015f \u00e7al\u0131\u015fmalard\u0131. Gerek d\u00fcnyada gerek \u00fclkemizde beni tetikleyen olaylar oluyor. Sanat\u00e7\u0131 zaman i\u00e7inde var olmaya \u00e7al\u0131\u015f\u0131yorsa zaman\u0131n tan\u0131\u011f\u0131d\u0131r, ondan izler ta\u015f\u0131mal\u0131d\u0131r.<\/p>\n

Sergilerinizden bahsetmek gerekirse, hepsi birbirinin devam\u0131 niteli\u011finde mi?
\n<\/strong>80’li y\u0131llarda ger\u00e7ekle\u015ftirdi\u011fim ilk sergimde \u201c\u0130nsanlar\u0131n g\u00f6r\u00fclmeyen ama hissedilen yanlar\u0131n\u0131 renk ve \u0131\u015f\u0131\u011f\u0131n deste\u011fi ile yans\u0131tmaya \u00e7al\u0131\u015f\u0131yorum\u201d gibi romantik bir laf etmi\u015fim. \u0130nsanl\u0131\u011fa ait ne kadar saf ve temiz duygular\u0131m varm\u0131\u015f. \u0130nsanl\u0131\u011f\u0131n g\u00f6r\u00fcnmeyen ama hissedilen yanlar\u0131n\u0131n \u00e7ok g\u00fczel oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyormu\u015fum. Bug\u00fcn ise bu g\u00f6r\u00fcnmeyen y\u00f6nlerin tamamen \u015fiddet, vah\u015fet, \u00f6ld\u00fcrme, yok etme, d\u00fcnyay\u0131 cehenneme \u00e7evirme oldu\u011funun fark\u0131na vard\u0131m. Sergiler de hep buna ba\u011fl\u0131 olarak devam ediyor.<\/p>\n

\"5\"<\/a>\u00c7al\u0131\u015fmalar\u0131n\u0131za gelen tepkiler ne y\u00f6nde?
\n<\/strong>Yapt\u0131\u011f\u0131m \u00e7al\u0131\u015fmalar teknik<\/a>, kullan\u0131lan malzeme ve irdeledi\u011fim konu itibariyle izleyicilere \u00e7ok \u015fa\u015f\u0131rt\u0131c\u0131 geliyor, \u015fok bir etki yarat\u0131yor diyebilirim. O nedenle ilk bak\u0131\u015fta \u00e7al\u0131\u015fmalar\u0131m kar\u015f\u0131s\u0131nda irkiliyorlar, daha sonra yava\u015f yava\u015f yakla\u015f\u0131p etkisi alt\u0131na giriyorlar. Ben bu \u00e7al\u0131\u015fmalar\u0131 insanlar\u0131n tepkisini sorgulamak i\u00e7in yap\u0131yorum ama, baz\u0131 izleyiciler yapt\u0131klar\u0131m\u0131 sadece estetik ve haz veren i\u015fler olarak alg\u0131layabiliyorlar ki bu da ka\u00e7\u0131n\u0131lmaz bir ger\u00e7ek, normal bir durum.<\/p>\n

Ortaya \u00e7\u0131kard\u0131\u011f\u0131n\u0131z i\u015flerin anla\u015f\u0131lmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyor musunuz?
\n<\/strong>Ger\u00e7ek sanat kapal\u0131d\u0131r, bildi\u011finiz kadar okuyabilirsiniz, anlayabilirsiniz. S\u00f6yleyen ki\u015fi s\u00f6z\u00fcn\u00fc \u00e7ok a\u00e7\u0131k s\u00f6ylerse o zaman hi\u00e7bir anlam\u0131 kalmaz. \u015eiir mesela, \u015fiir ne kadar kapal\u0131ysa etkisi o kadar kuvvetli olur, sesini hissedersiniz.<\/p>\n

Peki, \u00e7al\u0131\u015fmalar\u0131n\u0131zda anlatmak istediklerinizi insanlar nas\u0131l tam anlam\u0131yla anlayabilir?
\n<\/strong>Bir sanat nesnesinin tam anlam\u0131 ile anla\u015f\u0131lmas\u0131 m\u00fcmk\u00fcn de\u011fil; bu ba\u011flamda benim \u00e7al\u0131\u015fmalar\u0131m\u0131n da tam alg\u0131lanmas\u0131 diye bir \u015fey s\u00f6z konusu de\u011fil. Entelekt\u00fcel boyutun temellerinin at\u0131lmas\u0131 gerekiyor. Ya\u015fam\u0131 alg\u0131layabilmek i\u00e7in g\u00fcn\u00fc izlemek, do\u011fru ve iyi sanat i\u015fleri t\u00fcketmek de laz\u0131m.<\/p>\n

Hangi malzemeleri kullan\u0131yorsunuz? Kulland\u0131\u011f\u0131n\u0131z belli ba\u015fl\u0131 malzemeler var m\u0131?
\n<\/strong>Temel malzemem iplik. Bildi\u011fimiz polyester, naylon iplik. K\u0131rm\u0131z\u0131 ve siyah a\u011f\u0131rl\u0131kl\u0131. Daha sonra onlar\u0131 birbirine ba\u011flay\u0131c\u0131 kendi geli\u015ftirdi\u011fim \u00f6zel bir tak\u0131m tekniklerim var ayr\u0131ca bununla birlikte yine tekstil \u00fcretim <\/a>tekniklerinden yararland\u0131\u011f\u0131m gibi \u0131s\u0131l i\u015flem de kullan\u0131yorum.<\/p>\n

Neden k\u0131rm\u0131z\u0131 ve siyah a\u011f\u0131rl\u0131kl\u0131?
\n<\/strong>\u0130nsan anatomik yap\u0131 olarak kan ve liften olu\u015fur. Lif nedir, iplik\u2026 En k\u00fc\u00e7\u00fck kas birimi \u00e7izgi, sadece bir \u00e7izgi\u2026 Peki, rengi nedir? K\u0131rm\u0131z\u0131d\u0131r. K\u0131rm\u0131z\u0131 pek \u00e7ok \u015feyi ifade edebilir ama ben \u015fiddeti, kan\u0131, vah\u015feti ifade etmek amac\u0131yla kullan\u0131yorum. Siyah da ya\u015fam\u0131n d\u0131\u015f\u0131ndaki kar\u015f\u0131t alan\u0131; \u00f6l\u00fcm\u00fc, yoklu\u011fu ve hi\u00e7li\u011fi temsil eder.<\/p>\n

Bir \u00e7al\u0131\u015fman\u0131z\u0131n tamamland\u0131\u011f\u0131na nas\u0131l karar veriyorsunuz?
\n<\/strong>Ona ben karar vermiyorum, o i\u015fin kendi karar\u0131d\u0131r. \u201cBana dokunma, ben bittim\u201d der. E\u011fer i\u015fi okumas\u0131n\u0131 biliyorsan\u0131z, i\u015f size s\u00f6yler, \u201cArt\u0131k bana m\u00fcdahale etme\u201d der.<\/p>\n

Takip etti\u011finiz ve \u00e7al\u0131\u015fmalar\u0131n\u0131 \u00e7ok be\u011fendi\u011finiz ki\u015filer var m\u0131?
\n<\/strong>Tabii ki var. Lousie Bourgeois<\/strong>, Magdalena Abakanowicz<\/strong>\u2026 Beni baz\u0131 \u015feyler yapmaya tetikleyen, k\u0131\u015fk\u0131rtan di\u011fer isimler ise Krzysztof Kieslowski<\/strong>, Bela Tarr<\/strong>, Andrei Tarkovsky<\/strong>\u2019dir. Ben \u00e7ok farkl\u0131 disiplinlerden besleniyorum. Son y\u0131llarda heykele, \u00fc\u00e7 boyutlu \u00e7al\u0131\u015fmalara y\u00f6neldim. Daha \u00e7ok \u00fc\u00e7 boyutlu i\u015fleri takip ediyorum.<\/p>\n

B\u00f6yle bir i\u015fle u\u011fra\u015fmak i\u00e7in ki\u015finin nas\u0131l bir \u00f6zelli\u011fe sahip olmas\u0131 laz\u0131m?<\/strong>\"4\"
\nBu konun e\u011fitimini alm\u0131\u015f ya da almam\u0131\u015f, bu i\u015fin k\u00fclt\u00fcr\u00fcn\u00fc \u00f6\u011frenmesi ve bilmesi gerekiyor. D\u00fcnya sanat\u0131n\u0131, \u00e7a\u011fda\u015f sanat\u0131 \u00e7ok\u00a0yak\u0131ndan takip etmesi de \u00f6nemli. Bir de deneysel ve yarat\u0131c\u0131 kimli\u011finin \u00e7ok geli\u015fmi\u015f olmas\u0131 gerekli. En \u00f6nemlisi de bir ya\u015fam adanmal\u0131.<\/span><\/p>\n

Yapmak istedi\u011finiz ama i\u00e7inizde kalan bir \u015fey ya da pi\u015fmanl\u0131klar\u0131n\u0131z var m\u0131?
\n<\/strong>Niye \u00e7ok daha erken ya\u015flar\u0131mda bu t\u00fcr \u00e7al\u0131\u015fmalar yapmad\u0131m, niye o zamanlar bu kadar cesur de\u011fildim gibi pi\u015fmanl\u0131klar\u0131m var ama o zaman da onlar\u0131 yapmam gerekiyormu\u015f demek ki.<\/p>\n

T\u00fcrkiye\u2019de ve d\u00fcnyada yap\u0131lan i\u015fleri k\u0131yaslad\u0131\u011f\u0131n\u0131zda arada ne gibi farklar bulundu\u011funu d\u00fc\u015f\u00fcn\u00fcyorsunuz?
\n<\/strong>\u00c7ok b\u00fcy\u00fck farklar var. Ayn\u0131 ortamda de\u011ferlendirilmemiz gibi bir durum s\u00f6z konusu de\u011fil. \u00d6yle bir derdimizin de olmamas\u0131 gerekiyor zaten. Sanat ge\u00e7mi\u015fimiz o kadar yak\u0131n ki\u2026Hatta yok diyebilirim.. Sanat ge\u00e7mi\u015fimizin \u00e7ok yak\u0131n olmas\u0131 nedeniyle biz \u00fclke genelinde daha \u00e7ok bir iz s\u00fcr\u00fcc\u00fcy\u00fcz, takip ediciyiz. Bu da ka\u00e7\u0131n\u0131lmaz bir \u015fey, bunu da yad\u0131rgam\u0131yorum. Ancak bireysel \u00e7\u0131k\u0131\u015flar olabilir, m\u00fczik, sinema ve edebiyatta oldu\u011fu gibi.<\/p>\n

Bundan sonra neler yapacaks\u0131n\u0131z?
\n<\/strong>Asl\u0131nda her yapt\u0131\u011f\u0131m \u00e7al\u0131\u015fma bir sonrakinin eskizi. Her yapt\u0131\u011f\u0131m \u00e7al\u0131\u015fma daha sonraki i\u015fleri ortaya \u00e7\u0131kar\u0131yor. Her yapt\u0131\u011f\u0131m \u00e7al\u0131\u015fmada mutlaka yeni bir \u015feyler ekliyorum. Yeni teknik sorgulamalar\u0131m mutlaka var. Son zamanlarda \u00fc\u00e7\u00fcnc\u00fc boyut tak\u0131nt\u0131m var. \u00dc\u00e7 boyutlu i\u015fler yapmak istiyorum yine tekstil malzemesi kullanarak. Bunun \u00f6rnekleri de yava\u015f yava\u015f olu\u015fmaya ba\u015flad\u0131.<\/p>\n\n

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Yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarda \u00f6zellikle \u201cinsan\u201d kavram\u0131na odakland\u0131\u011f\u0131n\u0131 s\u00f6yleyen \u00d6zcan Uzkur, sanat\u00e7\u0131n\u0131n i\u00e7inde ya\u015fad\u0131\u011f\u0131 zaman\u0131n yak\u0131n bir tan\u0131\u011f\u0131 oldu\u011funu\u00a0ve \u00e7al\u0131\u015fmalar\u0131nda kendini ifade ederken bulundu\u011fu zamandan izler ta\u015f\u0131mas\u0131 gerekti\u011fini belirtiyor. Akademisyen kimli\u011fi ile edindi\u011fi deneyimleri yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarla birle\u015ftirerek ya\u015famda var olmaya \u00e7al\u0131\u015fan biri \u00d6zcan Uzkur\u2026 \u00c7al\u0131\u015fmalar\u0131n\u0131n daha \u00f6nce benzerine rastlamad\u0131\u011f\u0131m farkl\u0131 bir tarza sahip olmas\u0131n\u0131n onlar\u0131 daha \u00e7ekici […]<\/p>\n\n

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