{"id":873,"date":"2012-05-11T03:00:00","date_gmt":"2012-05-11T00:00:00","guid":{"rendered":"http:\/\/92.45.35.169\/takilara-sevgi-katiyor-el-emegiyle-hayat-veriyor\/"},"modified":"2024-07-03T16:01:04","modified_gmt":"2024-07-03T13:01:04","slug":"takilara-sevgi-katiyor-el-emegiyle-hayat-veriyor","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/takilara-sevgi-katiyor-el-emegiyle-hayat-veriyor\/","title":{"rendered":"Tak\u0131lara sevgi kat\u0131yor, el eme\u011fiyle hayat veriyor"},"content":{"rendered":"

\"nurhana\"<\/a>Tak\u0131 tasar\u0131mc\u0131s\u0131 Nurhan Acun, 43 y\u0131ld\u0131r \u00f6zg\u00fcn \u00e7al\u0131\u015fmalar\u0131n\u0131 yapt\u0131\u011f\u0131 Anadolu Medeniyetleri\u2019nin tak\u0131lar\u0131n\u0131 Beyo\u011flu\u2019ndaki Eller At\u00f6lyesi\u2019nde sergiliyor. Acun, \u201cSevdikten sonra insan her \u015feyi a\u015f\u0131yor. El eme\u011fi g\u00f6z nuru olmas\u0131, maddi beklentileri silip g\u00f6t\u00fcr\u00fcyor\u201d yorumunu yap\u0131yor<\/strong><\/p>\n

1969\u2019dan bu yana el sanatlar\u0131na g\u00f6n\u00fcl veren Nurhan Acun, Beyo\u011flu\u2019ndaki Eller Sanat At\u00f6lyesi\u2019nde Anadolu Medeniyetleri ile ilgili tak\u0131 tasar\u0131mlar\u0131na ve \u00f6zg\u00fcn \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor. 1957\u2019de Devlet G\u00fczel Sanatlar Akademisi \u0130\u00e7 Mimari B\u00f6l\u00fcm\u00fc\u2019nden mezun olan sanat\u00e7\u0131, kariyerine, 1962-69 aras\u0131 de\u011fi\u015fik konularda i\u00e7 mimari projeleri yaparak ba\u015flad\u0131. Tak\u0131 sanat\u0131yla 1969\u2019da el i\u015fi bak\u0131r tak\u0131lar yaparak tan\u0131\u015ft\u0131. \u00dcnl\u00fc firmalara bak\u0131r tak\u0131lar imal etti. Yurt i\u00e7inde ve d\u0131\u015f\u0131nda fuarlara kat\u0131ld\u0131. Acun, s\u00fcrd\u00fcrd\u00fc\u011f\u00fc \u00e7al\u0131\u015fmalar\u0131n\u0131n amac\u0131n\u0131 Tun\u00e7 \u00c7a\u011f\u0131\u2019ndan beri birbirini etkileyen, kendine \u00f6zg\u00fc bir dokuyu i\u00e7eren motifleriyle Anadolu Medeniyetleri\u2019nin e\u015fsiz, kal\u0131c\u0131 de\u011ferlerini tan\u0131tmak ve \u00e7a\u011fda\u015f kreasyonlar\u0131na da katarak ya\u015fatmak.<\/p>\n

1983\u2019de Avrupa Konseyi\u2019nin XVIII. Anadolu Medeniyetleri Sergisi\u2019ne, \u0130stanbul Arkeoloji M\u00fczesi\u2019nin iste\u011fi \u00fczerine m\u00fcze koleksiyonundaki tak\u0131lar\u0131n baz\u0131lar\u0131n\u0131n imitasyonlar\u0131n\u0131 haz\u0131rlad\u0131. Bu imitasyonlar\u0131 \u0130stanbul Arkeoloji, \u0130brahim Pa\u015fa Saray\u0131, Topkap\u0131 Saray\u0131, Ankara Anadolu Medeniyetleri ve Efes M\u00fczeleri\u2019nde sat\u0131\u015fa sunuldu. 1985\u2019de Wichita, Kansas, USA\u2019daki Book and Art Fair\u2019in karma sergisine davet edildi. Anadolu Medeniyetleri\u2019nin tak\u0131lar\u0131n\u0131 ve \u00f6zg\u00fcn \u00e7al\u0131\u015fmalar\u0131n\u0131 sergiledi. 2001\u2019de K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 Tak\u0131 Yar\u0131\u015fmas\u0131\u2019nda Karag\u00f6z, Hac\u0131vat Kompoziyonu \u00d6zel \u00d6d\u00fcl\u00fc; 2006\u2019da \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin d\u00fczenledi\u011fi Ulusal Tak\u0131 Yar\u0131\u015fmas\u0131\u2019nda 435 eser aras\u0131nda \u201cGalata Kulesi ve \u0130stanbul Laleleri\u201d isimli kompozisyonu, \u00f6zel tak\u0131 \u00f6d\u00fcl\u00fc ald\u0131. Yine 2006\u2019da, Polatl\u0131 Belediyesi Frig Medeniyetler\u2019yle ilgili tak\u0131 yar\u0131\u015fmas\u0131nda, \u201cFrig Kral\u0131\u2019n\u0131n Ke\u00e7ileri Hayat A\u011fac\u0131nda\u201d isimli kemer tokas\u0131 eseri mansiyona lay\u0131k g\u00f6r\u00fcld\u00fc. Acun, 43 y\u0131ll\u0131k sanat hayat\u0131n\u0131 ve sanatla olan a\u015fk\u0131n\u0131 y\u0131llara tan\u0131kl\u0131k eden Eller Sanat At\u00f6lyesi\u2019nde bizlerle payla\u015ft\u0131.<\/p>\n

Anadolu Medeniyetleri Eserleri ile ilgili tasar\u0131mlar yap\u0131yorsunuz. \u00d6zellikle bu alana yo\u011funla\u015fman\u0131z\u0131n \u00f6zel bir sebebi var m\u0131?<\/strong>
\nAnadolu Medeniyetlerine ilgim tarih, m\u00fcze ve arkeoloji merak\u0131mdan geliyor. Gen\u00e7lik y\u0131llar\u0131mda buldu\u011fum eski objeleri toplamaya ba\u015flam\u0131\u015ft\u0131m. Bir \u00f6\u011frenci maa\u015f\u0131yla o d\u00f6nemde bunlar\u0131 yapmak kolayd\u0131. K\u0131z\u0131m da arkeolog oldu. Benim isteklerimi o tamamlad\u0131. \u015eimdilerde eski dolma kalem koleksiyonu yap\u0131yor. San\u0131r\u0131m genetik olarak ona da ge\u00e7mi\u015f.<\/p>\n

Peki, tak\u0131 tasar\u0131ma merak\u0131n\u0131z nas\u0131l ba\u015flad\u0131?<\/strong>
\nAskerlik g\u00f6revimi yapt\u0131\u011f\u0131m s\u0131rada elimde bir \u00e7ak\u0131yla odun par\u00e7as\u0131ndan heykel yap\u0131yordum. Annem resim yapar, piyano \u00e7alard\u0131. \u0130\u00e7 mimariyle u\u011fra\u015f\u0131m\u0131 devam ettirirken kap\u0131lar\u0131n tokmaklar\u0131n\u0131 da kendim \u00e7iziyor ve imal ediyordum. Bu esnada buradan kalan bak\u0131r par\u00e7alardan arta kalanlar\u0131 mimarl\u0131k b\u00fcromun bir kenar\u0131nda yer a\u00e7\u0131p kesmeye ba\u015flad\u0131m. \u0130lk olarak kelebek \u015feklinde bir obje yapt\u0131m. Ard\u0131ndan ufak tefek tak\u0131 modelleri \u00e7izip, \u00e7izdi\u011fim modelleri bu kalan art\u0131klarla yapmaya ba\u015flad\u0131m. B\u00fcrom, hal\u0131 sat\u0131c\u0131lar\u0131n\u0131n oldu\u011fu bir pasaj\u0131n i\u00e7indeydi. Ben de yapt\u0131\u011f\u0131m tak\u0131lar\u0131 bir hal\u0131n\u0131n \u00fcst\u00fcnde sergilemeye ba\u015flad\u0131m. Hepsini \u00e7ok ilkel, el i\u015fi, d\u00f6vme makaslarla \u00e7al\u0131\u015fm\u0131\u015ft\u0131m. Yine de tak\u0131lar b\u00fcy\u00fck ilgi g\u00f6rd\u00fc.<\/p>\n

At\u00f6lyenizi ne zaman a\u00e7t\u0131n\u0131z?<\/strong>
\nPasaj\u0131n i\u00e7inde kolay kolay ziyaret\u00e7ilere rastlayam\u0131yordum. B\u00fcromda yapt\u0131\u011f\u0131m tak\u0131lar\u0131n bir k\u0131sm\u0131n\u0131 o d\u00f6nemin me\u015fhur ma\u011fazalar\u0131ndan Vepa\u2019ya g\u00f6t\u00fcrd\u00fcm. Vepa \u00e7ok be\u011fendi ve sipari\u015fler verdi. Tak\u0131 \u00e7al\u0131\u015fmalar\u0131m yo\u011funla\u015fm\u0131\u015ft\u0131. Ard\u0131ndan i\u015fler b\u00fcy\u00fcy\u00fcnce Santa Maria\u2019\u0131n 8. kat\u0131nda ufak bir at\u00f6lye a\u00e7arak birka\u00e7 arkada\u015f \u00e7al\u0131\u015fmaya ba\u015flad\u0131k. Ard\u0131ndan bal\u0131k pazar\u0131nda bir at\u00f6lye daha a\u00e7t\u0131k. Bir\u00e7ok firmaya \u00f6zel tasar\u0131m tak\u0131lar yapmaya ba\u015flad\u0131k, Vepa\u2019n\u0131n defile tak\u0131lar\u0131n\u0131 haz\u0131rlad\u0131k.<\/p>\n

Yurtd\u0131\u015f\u0131nda da sergiler a\u00e7t\u0131n\u0131z, de\u011fil mi?<\/strong>
\n1985\u2019te Amerika\u2019dan bir fuara kat\u0131lmak i\u00e7in teklif ald\u0131m. Orada tak\u0131lara ilgi olmas\u0131na ra\u011fmen antik d\u00f6neme ait hi\u00e7bir bilgileri ve ilgileri yok. O d\u00f6nemde T\u00fcrkiye\u2019nin yerini bile bilmiyorlard\u0131.<\/p>\n

Tasarlad\u0131\u011f\u0131n\u0131z tak\u0131lara turistlerin ilgisi nas\u0131l?<\/strong>
\nYabanc\u0131lar bunun k\u0131ymetini \u00e7ok iyi anl\u0131yor. \u00d6zellikle Japonlar b\u00fcy\u00fck ilgi g\u00f6steriyor. T\u00fcrkiye\u2019yi tan\u0131tan bro\u015f\u00fcr ve rehberlerde ad\u0131m ge\u00e7iyor. En b\u00fcy\u00fck amac\u0131m Anadolu medeniyetlerinden ba\u015flayarak Osmanl\u0131\u2019dan bu g\u00fcne kadar k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc tan\u0131tmak ve T\u00fcrkiye\u2019ye gelen turistlere bunu anlatmak. \u0130stiyorum ki Kapal\u0131 \u00c7ar\u015f\u0131\u2019da bilin\u00e7sizce yap\u0131lan, turistik ama\u00e7la \u00fcretilen y\u00fcksek fiyatl\u0131 \u00fcr\u00fcnleri almas\u0131nlar. \u00d6rne\u011fin Galata Kulesi\u2019ni yap\u0131l\u0131yor ama Galata Kulesi\u2019yle yak\u0131ndan uzaktan ilgisi yok.<\/p>\n

Bir\u00e7ok \u00f6d\u00fcl\u00fcn\u00fcz de var\u2026<\/strong>
\nAnadolu Medeniyetleri\u2019ni tan\u0131tmak i\u00e7in \u00e7al\u0131\u015fmalar\u0131m nedeniyle \u00e7e\u015fitli \u00f6d\u00fcller de ald\u0131m ama art\u0131k pek \u00f6d\u00fcle de\u011fil de g\u00fczel \u015feyler ortaya \u00e7\u0131karmak gayesiyle hareket ediyorum.\u00a0 \u00d6rne\u011fin \u00e7ini \u00fczerindeki bir motiften alt\u0131\u011f\u0131m bir desen bir kolye ucu haline d\u00f6n\u00fc\u015f\u00fcyor. Elbette \u00fcst\u00fcne kendi yorumumu da kat\u0131yorum.<\/p>\n

\u00c7al\u0131\u015f\u0131rken hangi ara\u00e7-gere\u00e7leri kullan\u0131yorsunuz?<\/strong>
\n\u00c7ok ilkel malzemelerim var. Elle yap\u0131lan \u015feylerin biraz ilkel olmas\u0131 gerekiyor. Bak\u0131rdan ve g\u00fcm\u00fc\u015ften yap\u0131labiliyor. Nat\u00fcrel sar\u0131, herhangi bir i\u015flem yapmadan, tabi malzemeden yapmaya \u00e7al\u0131\u015f\u0131yoruz. Tak\u0131mlar\u0131m\u0131z ise makas, pense, \u00e7eki\u00e7, mengene, tokmak, t\u00f6rp\u00fc ve basit bir tezgah. Bu demek de\u011fil ki ben modernle\u015femedim, modernli\u011fin ger\u00e7ek anlamda el i\u015fini ve el eme\u011finin de\u011ferini \u00f6ld\u00fcrd\u00fc\u011f\u00fcn\u00fc, de\u011ferini kaybettirdi\u011fini d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

El i\u015fi, anlayana \u00e7ok \u015fey ifade eder<\/strong><\/p>\n

Bilgi ve birikiminizle birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131z ki\u015filer var m\u0131?
\nAt\u00f6lyemiz aktif olarak \u00e7al\u0131\u015ft\u0131\u011f\u0131 d\u00f6nemlerde bir model \u00e7\u0131kart\u0131yor, o modeli \u00e7al\u0131\u015fanlar\u0131ma da\u011f\u0131t\u0131yordum. Herkes i\u015fi bitirip te\u015fhire sundu\u011fumuzda s\u00fcrekli m\u00fc\u015fterilerim hangisini benim, hangisini bir ba\u015fkas\u0131n\u0131n yapt\u0131\u011f\u0131 kolayl\u0131kla anl\u0131yordu. Kimi zaman bu Nurhan Bey\u2019in i\u015fi de\u011fil diyorlard\u0131. Usta-\u00e7\u0131rak ili\u015fkisi g\u00fcn\u00fcm\u00fczde eskisi gibi devam etmiyor. G\u00fcn\u00fcm\u00fczde i\u015fi \u00f6\u011frenmek i\u00e7in gelenler maddi \u00e7\u0131karlar\u0131n\u0131 \u00f6n planda tutuyor. Ben bildi\u011fim her \u015feyi aktarmaya \u00e7al\u0131\u015ft\u0131m. Kimi al\u0131yor kimi alam\u0131yor. Herkes kolay yoldan para kazanmaya \u00e7al\u0131\u015f\u0131yor. El i\u015fini tercih etmiyor, seri imalata y\u00f6neliyor. Bizim yapt\u0131\u011f\u0131m\u0131z i\u015fi yapan kalmad\u0131, sab\u0131r istiyor. El i\u015fi, anlayana \u00e7ok \u015fey ifade eder, merakl\u0131 biri el i\u015fini di\u011ferlerinden kolayca ay\u0131rt edebilir. Zevkli bir insan bir tak\u0131n\u0131n ruhuna dokunur.<\/p>\n

G\u00fcn\u00fcm\u00fczde usta-\u00e7\u0131rak ili\u015fkisinin hala devam etti\u011fini d\u00fc\u015f\u00fcn\u00fcyor musunuz?<\/strong>
\nBir sanat\u00e7\u0131 yeti\u015ftirmek i\u00e7in onu ilkokuldan sonra ailesi size teslim eder. Ama g\u00fcn\u00fcm\u00fczde \u00e7ocu\u011fun ilk sordu\u011fu \u2018bana ne kadar para vereceksin\u2019 oluyor. Aileler de \u00e7ocuklar\u0131n\u0131n ne \u00f6\u011frendikleriyle ilgilenmek yerine eve ne kadar para getirece\u011finin pe\u015finde\u2026<\/p>\n

Elektronik ortamda hisler ve duygular kayboluyor<\/strong><\/p>\n

Mimarl\u0131k e\u011fitiminizin ard\u0131ndan bir s\u00fcre bu meslekte uzmanla\u015fm\u0131\u015fs\u0131n\u0131z. Mimarl\u0131k mesle\u011finize devam etmeyi hi\u00e7 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc?
\nMimarl\u0131k mesle\u011finin birtak\u0131m zorluklar\u0131 var. \u00d6ncelikle m\u00fc\u015fteriye yapt\u0131\u011f\u0131n\u0131z i\u015fi anlatman\u0131z ve onun da bunu anlamas\u0131 gerekiyor. Projeyi \u00e7iziyorsunuz, m\u00fc\u015fteri projeden anlam\u0131yor. Ustaya tarif ediyor, ba\u015f\u0131nda duruyorsunuz. Yine kendi bildi\u011fini yap\u0131yor. D\u00fc\u015f\u00fcn\u00fcn ki \u00e7ok iyi bir kuma\u015f, \u00e7ok k\u00f6t\u00fc bir terzinin eline d\u00fc\u015ferse kuma\u015f ne kadar kaliteli olursa olsun ya da siz onu ne kadar \u00fct\u00fclerseniz \u00fct\u00fcleyin ortaya \u00e7\u0131kan sonu\u00e7 sizi hi\u00e7bir zaman mutlu etmez. \u0130\u00e7 mimarinin bir \u00f6zelli\u011fi yapt\u0131\u011f\u0131n\u0131z i\u015flerin kal\u0131c\u0131 olmamas\u0131. Sizin yapt\u0131\u011f\u0131n\u0131z bir dairenin i\u00e7ine modan\u0131n ve farkl\u0131 zevklerin de etkisiyle y\u0131llar i\u00e7inde m\u00fcdahaleler oluyor. Sizin projeniz tamamen siliniyor, ba\u015fka bir projeye d\u00f6n\u00fc\u015f\u00fcyor. Halbuki yapt\u0131n\u0131z bir tak\u0131 sonsuza dek ya\u015f\u0131yor. Belki benim \u00fcrettiklerim de y\u00fczy\u0131llar sonra toprak alt\u0131ndan \u00e7\u0131kacak. Dolay\u0131s\u0131yla kal\u0131c\u0131 bir \u015feye imza atmak, yaratmak daha anlaml\u0131 diye d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\n

\u0130\u00e7 mimari de yarat\u0131c\u0131l\u0131k g\u00fcd\u00fcleriyle besleniyor de\u011fil mi?<\/strong>
\nDi\u011fer taraftan o d\u00f6nemlerde biz projeleri plan\u015flarda \u00e7iziyorduk, \u015fu an bilgisayarda \u00e7iziliyor. Bu durum i\u015fi ve eme\u011fi anlams\u0131zla\u015ft\u0131r\u0131yor diye d\u00fc\u015f\u00fcn\u00fcyorum. Sevdi\u011finiz birinden bir mektup ald\u0131\u011f\u0131n\u0131z\u0131 d\u00fc\u015f\u00fcn\u00fcn, ayn\u0131 anda bir de e-mail ald\u0131\u011f\u0131n\u0131z\u0131\u2026 Siz gelen mektubu bir kitab\u0131n aras\u0131na koyars\u0131n\u0131z, zaman zaman elinize al\u0131r, tekrar tekrar o an\u0131 ya\u015fars\u0131n\u0131z. Bir an\u0131 gibidir. Ama elektronik ortamda hisler kayboluyor.<\/p>\n

\u015eu anda \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131z \u00f6zel bir koleksiyon var m\u0131?<\/strong>
\nAnadolu o kadar dolu, o kadar \u00e7ok \u015fey var ki anlat\u0131lacak k\u00f6kenine inip Orta Asya k\u00fclt\u00fcr\u00fcn\u00fc incelemek ve bu konuda bir sergi haz\u0131rlamak istiyorum. \u015eu anda Anadolu Medeniyetleri\u2019nden esinlenerek yeni tasar\u0131mlar yarat\u0131yorum. \u00d6rne\u011fin kilim motiflerimizin \u00f6n plana \u00e7\u0131kartmaya, onlarla ilgili tak\u0131lar yapmaya \u00e7al\u0131\u015f\u0131yorum. K\u00fcpe,\u00a0 y\u00fcz\u00fck gibi aksesuarlar yap\u0131yorum.<\/p>\n

Nurhan Acun\u2019un 43 y\u0131ll\u0131k sanat yolculu\u011fu\u2026<\/strong>
\n\u2022\u00a01983\u2019de Avrupa Konseyi\u2019nin XVIII. Anadolu Medeniyetleri Sergisi\u2019ne kat\u0131ld\u0131.
\n\u2022\u00a01985\u2019de Wichita, Kansas, USA\u2019daki Book and Art Fair\u2019in karma sergisine davet edildi.
\n\u2022\u00a01996\u2019da California\u2019da Saddleback College\u2019in tak\u0131 at\u00f6lyesinde \u2018kakma\u2019 metodu \u00fczerine yapt\u0131\u011f\u0131 g\u00f6steride Osmanl\u0131 \u00e7ini motiflerini tan\u0131tt\u0131.
\n\u2022\u00a02001-2002 senelerinde Sel\u00e7uk Efes M\u00fczesi\u2019ndeki \u201cAnadolu\u2019dan Esintiler\u201d tak\u0131 sergilerini haz\u0131rlad\u0131.
\n\u2022\u00a02001\u2019de K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 Tak\u0131 Yar\u0131\u015fmas\u0131\u2019nda Karag\u00f6z, Hac\u0131vat Kompoziyonu \u00d6zel \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fcld\u00fc.
\n\u2022\u00a02002\u2019de Avustralya-T\u00fcrkiye K\u00fclt\u00fcr Enstit\u00fcs\u00fc\u2019n\u00fcn davetlisi olarak Melbourne\u2019da d\u00fczenlenen tak\u0131 sergilerine kat\u0131ld\u0131.
\n\u2022\u00a02003\u2019de Ayasofya M\u00fczesi Sergi Salonu\u2019nda \u201cOsmanl\u0131\u2019ya \u00d6zg\u00fc Motiflerle \u00c7a\u011fda\u015f Tak\u0131 ve Obje Sergisi\u2019ne kat\u0131ld\u0131.
\n\u2022\u00a02006\u2019da \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin d\u00fczenledi\u011fi Ulusal Tak\u0131 Yar\u0131\u015fmas\u0131\u2019nda 435 eser aras\u0131nda \u201cGalata Kulesi ve \u0130stanbul Laleleri\u201d isimli kompozisyonu, \u00f6zel tak\u0131 \u00f6d\u00fcl\u00fc ald\u0131.
\n\u2022\u00a02006\u2019da Polatl\u0131 Belediyesi Frig Medeniyetler\u2019yle ilgili tak\u0131 yar\u0131\u015fmas\u0131nda, \u201cFrig Kral\u0131\u2019n\u0131n Ke\u00e7ileri Hayat A\u011fac\u0131nda\u201d isimli kemer tokas\u0131 eseri mansiyona lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n\n

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Tak\u0131 tasar\u0131mc\u0131s\u0131 Nurhan Acun, 43 y\u0131ld\u0131r \u00f6zg\u00fcn \u00e7al\u0131\u015fmalar\u0131n\u0131 yapt\u0131\u011f\u0131 Anadolu Medeniyetleri\u2019nin tak\u0131lar\u0131n\u0131 Beyo\u011flu\u2019ndaki Eller At\u00f6lyesi\u2019nde sergiliyor. Acun, \u201cSevdikten sonra insan her \u015feyi a\u015f\u0131yor. El eme\u011fi g\u00f6z nuru olmas\u0131, maddi beklentileri silip g\u00f6t\u00fcr\u00fcyor\u201d yorumunu yap\u0131yor 1969\u2019dan bu yana el sanatlar\u0131na g\u00f6n\u00fcl veren Nurhan Acun, Beyo\u011flu\u2019ndaki Eller Sanat At\u00f6lyesi\u2019nde Anadolu Medeniyetleri ile ilgili tak\u0131 tasar\u0131mlar\u0131na ve \u00f6zg\u00fcn […]<\/p>\n\n

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