{"id":879,"date":"2012-07-10T03:00:00","date_gmt":"2012-07-10T00:00:00","guid":{"rendered":"http:\/\/92.45.35.169\/is-dunyasindaki-otekilesmeyi-fotografladi\/"},"modified":"2024-07-03T16:01:02","modified_gmt":"2024-07-03T13:01:02","slug":"is-dunyasindaki-otekilesmeyi-fotografladi","status":"publish","type":"post","link":"https:\/\/www.kariyer.net\/kariyer-rehberi\/is-dunyasindaki-otekilesmeyi-fotografladi\/","title":{"rendered":"\u0130\u015f d\u00fcnyas\u0131ndaki \u00f6tekile\u015fmeyi foto\u011fraflad\u0131"},"content":{"rendered":"

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Foto\u011fraf sanat\u00e7\u0131s\u0131 ve i\u015f adam\u0131 Dora G\u00fcnel, \u201cUnvan-s\u0131z\u201d isimli foto\u011fraf kitab\u0131n\u0131 yay\u0131nlad\u0131. G\u00fcnel, kitab\u0131nda 141 siyah beyaz foto\u011frafla, \u00e7al\u0131\u015fanlar\u0131n i\u015f ve sosyal hayattaki ya\u015fam tarzlar\u0131n\u0131n farkl\u0131l\u0131klar\u0131 ve benzerliklerini anlat\u0131yor<\/strong>
\n1970\u2019li y\u0131llar\u0131n sonuna do\u011fru e\u011fitimine devam etti\u011fi Gazi E\u011fitim Enstit\u00fcs\u00fc Almanca Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fc\u2019nde iken tezgahtar olarak \u00e7al\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131 BSH Ev Aletleri \u015firketinde \u015fu anda e\u011fitim ve ticari koordinasyon m\u00fcd\u00fcr\u00fc olan Dora G\u00fcnel, tam bir foto\u011fraf a\u015f\u0131\u011f\u0131. 37 y\u0131l ayn\u0131 \u015firkette y\u00fcr\u00fctt\u00fc\u011f\u00fc istikrarl\u0131 ve ba\u015far\u0131l\u0131 kariyerini, foto\u011frafa olan ilgisiyle beslemi\u015f. Ge\u00e7ti\u011fimiz ay, Dora G\u00fcnel`in “Unvan-s\u0131z” isimli foto\u011fraf kitab\u0131 yay\u0131nland\u0131. G\u00fcnel, kitab\u0131nda uzun zaman birlikte \u00e7al\u0131\u015fan i\u015f insanlar\u0131n\u0131n asl\u0131nda birbirlerine olan yabanc\u0131l\u0131klar\u0131n\u0131 da kare kare ele alm\u0131\u015f. Dora G\u00fcnel\u2019le \u00fc\u00e7 senelik \u00e7al\u0131\u015fman\u0131n \u00fcr\u00fcn\u00fc olan ve 141 siyah beyaz foto\u011fraftan olu\u015fan kitab\u0131n\u0131 ve foto\u011frafa a\u015fk\u0131n\u0131 konu\u015ftuk.<\/p>\n

Foto\u011frafa olan ilginiz ne zaman ba\u015flad\u0131?<\/strong>
\nFoto\u011frafa ilgim \u00e7ocukluk ya\u015flar\u0131mda uyand\u0131. Bununla birlikte ger\u00e7ek foto\u011fraf u\u011fra\u015f\u0131m 1977 y\u0131l\u0131nda arkada\u015flar\u0131m\u0131n Ankara Foto\u011fraf Sanat\u00e7\u0131lar\u0131 Derne\u011fi\u2019ni (AFSAD) kurmalar\u0131yla ve benim de 1978 y\u0131l\u0131nda bir makine al\u0131p onlara kat\u0131lmamla ba\u015flad\u0131. Foto\u011fraf\u0131n sosyal belgesel ya da toplumcu belgesel diyebilece\u011fimiz alan\u0131yla ilgileniyorum.<\/p>\n

Foto\u011fraf merak\u0131n\u0131z\u0131n ya\u015fam bi\u00e7iminize d\u00f6n\u00fc\u015fmesi nas\u0131l oldu?<\/strong>
\nFoto\u011fraf i\u00e7inde sosyolojiyi de, sosyal antropolojiyi de, resmi de, m\u00fczi\u011fi de, bi\u00e7imi-esteti\u011fi de, okumay\u0131, felsefeyi ve muhalif olabilmeyi de bar\u0131nd\u0131r\u0131yordu. Bu da bana \u00e7ok uyuyordu. Ben foto\u011fraf\u0131n bizlerin ho\u015funa gidecek, ruhumuzu dinlendirecek, dinginle\u015ftirecek, r\u00fcyalara g\u00f6t\u00fcrecek olmas\u0131n\u0131n \u00f6tesinde mutlaka toplumsal bir i\u015flevi olmas\u0131 gerekti\u011fine inan\u0131yorum.<\/p>\n

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\u00c7al\u0131\u015fanlar\u0131 konu alan bir kitap fikri nas\u0131l ortaya \u00e7\u0131kt\u0131?<\/strong>
\nBu firmada otuz y\u0131ldan fazla \u00e7al\u0131\u015ft\u0131\u011f\u0131m halde detayl\u0131 bir \u00e7al\u0131\u015fma yapmad\u0131\u011f\u0131m\u0131 ve objektifi buraya \u00e7evirmemin zaman\u0131 geldi\u011fini d\u00fc\u015f\u00fcnd\u00fcm. Beni harekete ge\u00e7iren daha \u00e7ok i\u015f d\u00fcnyas\u0131yla birlikte kat\u0131ld\u0131\u011f\u0131m bir toplant\u0131 oldu. Yurtd\u0131\u015f\u0131ndan getirilen bir konu\u015fmac\u0131y\u0131 dinlerken o toplant\u0131ya, bir\u00e7ok sekt\u00f6rden yakla\u015f\u0131k 500 – 600 y\u00fcz ki\u015finin kat\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fcm. Kat\u0131l\u0131mc\u0131lar\u0131n giyim bi\u00e7imleri, sa\u00e7 kesimleri, makyajlar\u0131, aralarda telefon konu\u015fmalar\u0131, yemekteki se\u00e7imleri, duru\u015flar\u0131, konu\u015fma bi\u00e7imleri, bak\u0131\u015flar\u0131 o kadar ayn\u0131yd\u0131 ki. Bu tek tiple\u015fme beraberinde \u00f6tekile\u015fmeyi de getirmi\u015fti. Ard\u0131ndan insanlar bir b\u00f6l\u00fcnme daha ya\u015fad\u0131 ve i\u015f ya\u015fam\u0131, sosyal ve aile ya\u015fam\u0131 olarak yeni kimliklere b\u00fcr\u00fcnmeye ba\u015flad\u0131. Bu durumu onlarca farkl\u0131 \u2013 benzer toplant\u0131da g\u00f6zlemledim. Bunun ger\u00e7ekli\u011fini test edebilece\u011fim ortamsa yakla\u015f\u0131k 5 bin \u00e7al\u0131\u015fan\u0131yla benim de y\u0131llard\u0131r \u00e7al\u0131\u015ft\u0131\u011f\u0131m yerdi ve hemen projemi yazmaya ba\u015flad\u0131m.<\/p>\n

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Modellerinizi se\u00e7erken k\u0131staslar\u0131n\u0131z ne oldu?<\/strong>
\nProje baz\u0131nda \u00e7al\u0131\u015ft\u0131\u011f\u0131m i\u00e7in bu i\u015fin bir metodu olmal\u0131yd\u0131. Hemen \u015firketteki unvanlara bakt\u0131m. \u00dcst d\u00fczey y\u00f6netici, direkt\u00f6r, m\u00fcd\u00fcr, alan y\u00f6neticisi ve memur olarak s\u0131ralan\u0131yordu. Bunun d\u0131\u015f\u0131nda bayi, mavi yakal\u0131, ta\u015feron firma \u00e7al\u0131\u015fan\u0131, partnerler vard\u0131. Kad\u0131n, erkek, farkl\u0131 uluslar\u0131n bireyleri, evli, bekar, kalabal\u0131k aile. Bir panorama olu\u015fturmal\u0131yd\u0131m. Dolay\u0131s\u0131yla 21 ki\u015fi belirledim ve her biriyle tek tek g\u00f6r\u00fc\u015ft\u00fcm. Bu da benim i\u00e7in 20 evde \u00e7al\u0131\u015fabilmem anlam\u0131na geliyordu.<\/p>\n

Sizce sosyal belgesel foto\u011fraf\u00e7\u0131l\u0131k konusunda d\u00fcnyay\u0131 takip edebiliyor muyuz?<\/strong>
\nBug\u00fcn, kitap ve bask\u0131 maliyeti i\u00e7in maddi destek gerekiyor. \u00dcniversitelerdeki dernekler bu konuda \u00e7al\u0131\u015fmalar yap\u0131yor. \u00d6zellikle at\u00f6lye ve seminerler d\u00fczenliyorlar. Anadolu \u00fcniversitesi ve Y\u0131ld\u0131z Teknik \u00dcniversitesi bunlar\u0131n ba\u015f\u0131nda geliyor. Ayr\u0131ca Foto\u011fraf Vakf\u0131 ve Galata Foto\u011frafhanesi\u2019nin birlikte y\u00fcr\u00fctt\u00fc\u011f\u00fc Foto\u011fraf Akademisi bu konuda etkin \u00e7al\u0131\u015fmalar yap\u0131yor. \u0130mkanlar geli\u015ftik\u00e7e, sosyal belgesel foto\u011fraf kendine alanlar bulduk\u00e7a, bas\u0131n da bunu destekledik\u00e7e yayg\u0131nla\u015facak.
\nDora G\u00fcnel\u2019in foto\u011fraf ser\u00fcveni<\/strong>
\n\u2022\u00a0Foto\u011frafa 1978\u2019de AFSAD’a (Ankara Foto\u011fraf Sanat\u00e7\u0131lar\u0131 Derne\u011fi) kat\u0131larak ba\u015flad\u0131. Foto\u011fraflar\u0131 ilk defa “T\u00fcrkiye’de Kad\u0131n” isimli sergide yer ald\u0131. 1982-1985 y\u0131llar\u0131 aras\u0131nda AFSAD Y\u00f6netim Kurulu’nda g\u00f6rev yapt\u0131. G\u00fcnel, Foto\u011fraf Vakf\u0131 Kurucular\u0131 aras\u0131nda yer al\u0131yor. AFSAD b\u00fcnyesinde “Ankara” ve “Denizi Ya\u015fayanlar” adl\u0131 belgesel foto\u011fraf projelerine kat\u0131ld\u0131.<\/p>\n

\u2022\u00a01995\u2019te “Birikimler” isimli ki\u015fisel sergisini a\u00e7t\u0131. “Birikimler”, “Karadeniz”, “Dar Sokaklar S\u0131cak \u0130nsanlar” adl\u0131 saydam g\u00f6sterilerini yapt\u0131. Foto\u011frafevi, \u0130FSAK, Foto\u011fraf Vakf\u0131 gibi kurumlarda e\u011fitim seminerleri verdi. Foto\u011frafta foto \u00f6yk\u00fc \u00fczerine yo\u011funla\u015ft\u0131 ve bu konuda foto\u011fraf at\u00f6lyeleri ger\u00e7ekle\u015ftirdi.
\n\u2022\u00a0B\u00fcy\u00fck Marmara Depreminde Dayan\u0131\u015fma G\u00f6n\u00fcll\u00fcleri ve Enfants du Monde Grubu ile d\u00fczenlenen Foto\u011fraf\u00e7\u0131 \u00c7ocuklar at\u00f6lyesinin t\u00fcm \u00e7al\u0131\u015fmalar\u0131nda g\u00f6rev ald\u0131.<\/p>\n

\u2022\u00a0Kemal Cengizkan ile birlikte \u0130\u00e7kalpak\u00e7\u0131 \u00c7\u0131kmaz\u0131- Bir Soka\u011f\u0131n Monografisi adl\u0131 \u00e7al\u0131\u015fmay\u0131 ger\u00e7ekle\u015ftirdi. Bu \u00e7al\u0131\u015fma sosyologlar Gamze Toksoy, G\u00fclay Kayacan ve Ebru Soytemel ile tamamlanarak 2002 y\u0131l\u0131nda kitap haline getirildi. Sergi T\u00fcrkiye d\u0131\u015f\u0131nda Berlin- Almanya, Gras- Fransa ve K\u0131br\u0131s’ta da izlenime sunuldu.
\n\u2022\u00a0Bir semt k\u00fclt\u00fcr\u00fc \u00fczerine haz\u0131rlanan foto \u00f6yk\u00fclerden olu\u015fan Kad\u0131rga: M\u00fcseccel Marka isimli \u00e7al\u0131\u015fmas\u0131n\u0131 tamamlad\u0131. Bu \u00e7al\u0131\u015fma da \u0130FSAK’\u0131n d\u00fczenledi\u011fi Foto\u011fraf Bienali’nde ve Foto\u011fraf Vakf\u0131’n\u0131n d\u00fczenledi\u011fi Ulisfotofest’de (Uluslararas\u0131 \u0130stanbul Foto\u011fraf Festivali) g\u00f6sterildi. 2010 \u0130stanbul Avrupa K\u00fclt\u00fcr Ba\u015fkenti etkinlikleri kapsam\u0131nda Kad\u0131rga Meydan\u0131’nda izlenime sunuldu.<\/p>\n

\u2022\u00a0Annesinin \u00f6l\u00fcm\u00fcnden yola \u00e7\u0131karak Do\u011fum, Ya\u015fam, Alzheimer, \u00d6l\u00fcm isimli projeyi ger\u00e7ekle\u015ftirdi. \u0130zzet Baysal Huzurevi’nde yapt\u0131\u011f\u0131 G\u00fcz G\u00fclleri adl\u0131 \u00e7al\u0131\u015fma 2008 y\u0131l\u0131nda \u0130stanbul ve \u00c7anakkale’de sergilendi.<\/p>\n

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Foto\u011fraf sanat\u00e7\u0131s\u0131 ve i\u015f adam\u0131 Dora G\u00fcnel, \u201cUnvan-s\u0131z\u201d isimli foto\u011fraf kitab\u0131n\u0131 yay\u0131nlad\u0131. G\u00fcnel, kitab\u0131nda 141 siyah beyaz foto\u011frafla, \u00e7al\u0131\u015fanlar\u0131n i\u015f ve sosyal hayattaki ya\u015fam tarzlar\u0131n\u0131n farkl\u0131l\u0131klar\u0131 ve benzerliklerini anlat\u0131yor 1970\u2019li y\u0131llar\u0131n sonuna do\u011fru e\u011fitimine devam etti\u011fi Gazi E\u011fitim Enstit\u00fcs\u00fc Almanca Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fc\u2019nde iken tezgahtar olarak \u00e7al\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131 BSH Ev Aletleri \u015firketinde \u015fu anda […]<\/p>\n\n

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